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City Pages - The Blotter

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Reporter's Notebook: Sex, Drugs & Awesome Hair

Filed under: Local Music

Brian Bart of Dare Force traces Twin Cities hair metal back to some rather astounding sources. Most notably, local 60's garage rock legends the Litter. How does he do that? Two words: Zippy. Caplan.

Zippy Caplan sang in The Litter and later in the hard-rock-teetering-on-heavy metal local act White Lightning. With White Lightning, the hair got longer, the pants a little tighter and the riffs a little heavier.

Another local forerunner to the metal bands featured in my article was Chameleon. Not ringing a bell? Maybe the name of their keyboard player would rattle your memory glands. I'll give you a hint: one name, rhymes with Donny.

Answer: Yanni.

Who said there were no surprises in metal?

There were a zillion Twin Cities metal bands in the '80s, as you can see from that slideshow of promo photos. Also check out the City Pages' show advertisements from these bands during that era. For this post, I zeroed in on three groups: Dare Force, Obsession and Slave Raider. Here's a little more on each of them ...

FROM THE CUTTING ROOM FLOOR:

Dare Force

Dare Force were, in many ways, pioneers in the Twin Cities. They did the ballrooms, the clubs, and the big opening slots (Van Halen was a big show for them ... Kansas, too). They played Puerto Rico and Venezuela. They played 300 nights a year and had a four-man road crew.

When they opened for Ted Nugent somebody, apparently in the days before auto focus, took this snapshot:

l_7d81c27efe025ed5bda3f91fb29df918.jpg

Here is a promo photo of the band. Don't be afraid of the mustache:

722626865_l.jpg

And one for the record-buying public: Dare Force's Makin' our own Rules album cover:

722629942_l.jpg

Obsession

Obsession was not the band's first choice for a name. Originally they were the Crash Street Kids. The idea, Arens says, was to bring to the stage only what they could gather on the drive to the gig: blinking hazard lights, traffic cones, trashcans. "The production cost would be unbelievably low, but the production value would be high," says former Obsession guitarist Brynn Arens at a coffee shop on Hiawatha Avenue in South Minneapolis.

Obsession.jpg

The members of the band once appeared together in public with their girlfriends dressed identical to whichever Obsession member they were dating. “We thought that was bad ass,” Arens says. “We had the full-on rock ‘n’ roll blinders going.”

In the band's first days, Arens remembers telling the drummer, Todd McNurlen: "It's gonna be Todd Mac from now on--I'm not going to be in a band with a McNurlen!" Arens pauses and then laughs: "That's how serious I was."

Brynn said the large outlet in the photo below was to make him look small, but admits he kind of blew the whole perspective thing with the beer cans. Or are those just really tiny beer cans?

brynnbeer.jpg

Here's an ad from a 1984 show opening for Dio. Nothing like hours and hours of metal on a Sunday afternoon.

dioobsession.jpg

Slave Raider

In 1988, just after signing to JIVE records and on the eve of a trip to London to record another record and play a headlining show at the legendary Marquee Club, Slave Raider appeared on 101 WHMH, a St. Cloud "Power Rock" radio station. A journalist from the influential European metal magazine Kerrang! was at the station with them, working on a cover story. Disc Jockey Randy K took calls for the band. "Anyone who gets on the air with Chainsaw today gets an autographed picture of the band, a copy of their cassette, and your choice of a six-pack of Coke or Mello Yello!"

022d_1.JPG

The first caller was Pat from Little Falls. "Hi, Pat!" Chainsaw growled. Pat's question was simple but phrased awkwardly. He wondered where Slave Raider was playing next, but he asked, "Where is Slave Raider going to go?"

Chainsaw couldn’t resist: "Where are we going?" he howled. "We're going to the top!"

It was exactly the kind of bluster Slave Raider excelled at.

Chainsaw walked on stage at the Marquee with a life-size cutout of British pop star Rick Astley--the pasty redhead behind the international pop hit "Never Gonna Give You Up"--and fired up his saw. As a sort of ritual cleansing for the band’s special brand of heavy metal onslaught, he sliced Rick Astley to the ground like a deranged pirate landscaper.

Back at home, the band bested the other metal bands in town in draw and earnings. They had paid for the recording and release of their debut "Take the World by Storm" themselves. They weren't waiting for a major label deal. Slave Raider guitarist Lance Sabin estimates costs reached into the $30,000 range.

Whatever Slave Raider had, it earned. They worked constantly. Not just every night but every day. Making their debut record, Sabin says, went something like this: "We'd play some club and then arrive at Metro Studios on Washington Avenue at 2:00 or 3:00 in the morning. We'd try to wipe the makeup from our face and we'd record until 7:00 or 8:00, when the studio's commercial clients would start showing up. I'd always beg: Just one more guitar solo!"

It was this kind of pathological discipline that had the metal bands always at odds with the punk bands. Sabin remembers playing a show with his pre-Slave Raider band Keystone. He went to the bass player of the headlining act (he swears it was the Replacements but questions his memory ever so slightly) who was sound-checking with a badly out-of-tune bass. He offered the guy his guitar tuner--a device you plug into for tuning assistance. The bass player spun a tuning key a couple of times and banged the headstock against the wall. "There," he said. "That ought to do it."

Have a look at the spectacle that was Slave Raider:

Make Some Noise.

This one was filmed in Minneapolis and begins with an intro from Chainsaw Caine, a man who clearly could have made a few extra bucks on the pro wrestling circuit...

Rock You Again

This one is really just a Slave Raider cameo. The guys in Whodini were Slave Raider's label mates.

Backstabbin'

This video is from the early days of Slave Raider. Watch carefully and you'll see some choreography.

Slave Raider was the last Twin Cities metal band of the era to know some measure of success (if only for a short time). And while local music writers were largely ignoring even the bands as popular as Slave Raider, heavy metal was making national headlines--putting Twisted Sister front man Dee Snider in front of a panel of U.S. Senators will do that...

METAL GOES TO WASHINGTON:

If it were possible to back-pedal through space and time and onto a heavy metal stage to see the phenomenon with 21st Century eyes, the theatrics, costumes and choreography might well appear no more threatening than a Broadway production. Or not. The theater of it all--and the outrageous, often misogynistic lyrics--were singled out in 1985 Senate hearings on the lyrics and images in the popular music of the day. Pamela Hower of the Parents Music Resource Center (PMRC) brought to the hearings a stack of heavy metal record covers and lyric sheets a took a seat next to PMRC treasurer and the public face of the organization, Tipper Gore.

In an exhaustive presentation, Hower singled out the heavy metal band W.A.S.P., who had just signed a $1.5 million contract with Capital Records to release their debut record: “The Torture Never Stops.” “Violence permeates the album as well as their stage show,” Howar told the Senate Committee on Commerce, Science and Transportation, “which has included chopping up and throwing raw meat into the audience, drinking blood from a skull, and the simulated rape and murder of a half-nude woman.”

The hearings resulted in the “Parental Advisory: Explicit Lyrics” sticker consumers find on their compact discs to this day.

Simulated rape, which was not altogether uncommon in videos and stage shows of the era, was the exception. Mostly, heavy metal theater was the Vegas or Radio City variety: Fireworks, props and synchronized kicking.

The PMRC put together something they called the "Filthy Fifteen"--a list of the songs they found most offensive. Prince's "Darling NIkki" won the top slot. But about half of the songs on the list were heavy metal songs:

#3: Judas Priest "Eat Me Alive"

#5: Mötley Crüe "Bastard"

#7: Twisted Sister "We're Not Gonna Take It"

#9: W.A.S.P. "Animal (Fuck Like a Beast)"

#10: Def Leppard "High 'n' Dry (Saturday Night)"

#11: Mercyful Fate "Into the Coven"

#12: Black Sabbath "Trashed"

#14: Venom "Possessed"

SAINTS OR SINNERS?

Why not end things on a high note? There exists on YouTube archaeological evidence that the international heavy metal community, under all the leather and spandex and chest hair, had a heart of gold. Witness this incredible survey of the '80s metal pantheon produced for the Hear 'n Aid benefit project in 1985. The whole thing was organized by Ronnie James Dio and it raised somewhere in the neighborhood of one million dollars for charity...

OH, WE MUSTN'T FORGET HAIRBALL

Hairball is the first band we meet in Sex, Drugs & Awesome Hair. Want to know them better? Then you really ought to spend some time at their website, which you'll find here.

Here are Hairball singers Kris Vox and Rockstar Bob packing up their costumes after their City Pages photo shoot. A fitting end to a riveting saga...

cleaningupweb.jpg

Posted by Jeff Severns Guntzel at March 18, 2008 3:41 PM

« Another uneasy post about the housing market | Main | Breakfast of Champions 3/19: we Unearth some metal »

Comments

How much company bandwidth are you chewing up here with all these videos, Jeff. It's a good thing the IT guys were into Slave Raider...

Posted by: Helm Matthews at March 18, 2008 6:55 PM

Awesome job Jeff!

Thanx,

Dan

Posted by: Sports - bass doood from Hairball at March 19, 2008 2:49 AM

great article!

Posted by: Rose at March 19, 2008 7:20 AM

This rules!
Obsession was the best!

Posted by: Kii Arens at March 19, 2008 1:13 PM

This is a great article do you remember the band straight up just wondering if any of those guys are around anymore . Or the band roxx

Posted by: dan liners at March 19, 2008 5:12 PM

Jeff,

Greatly enjoyed your article regarding the '80s metal scene in the Twin Cities. However, I just have to set straight a couple of inaccuracies. First, Zippy Caplan was the guitarist for the Litter, as well as one of two guitarists for White Lightning (along with Ron Roberts). My first concert memory was seeing White Lightning open for Alice Cooper at the Depot (later to become First Avenue) in 1970 on my 12th birthday, but I digress.

Second, while my beloved bandmates and I in Dare Force opened up for a number of major national acts, Van Halen was not one of them. Our most significant opening slot was in front of KISS (we did open for Kansas and Ted Nugent, as well as a slew of many other acts of note in the day). However, Van Halen did come to see one of our shows at another very popular venue you neglected to mention in your article, Boyd's on the River. We had a run of several national acts coming to see us in the clubs after their shows in the late 1970s and early 1980s, including Cheap Trick and the Allman Brothers.

Finally, the biggest show Dare Force played was for 14,000 rabid metal heads outdoors on the shorefront of Lake Michigan in Milwaukee, at an anti-disco event hosted by a local hard rock station in 1982. We also played in front of 12,000 rockers at the Met Sports Center in 1982, headlining Stereo 101's "Twin Cities Rocks" concert that also included a number of local acts featured on an album sponsored by the radio station. My dearest friend and beloved gunslinger-in-arms Brian Bart likely forgot to mention these shows because he was not in the band at the time (having taken a brief detour to play with another band, DVC, the drummer of which, Johnnie Bolin, brother of legendary guitarist Tommy Bolin, would later join Dare Force when Brian rejoined the fold).

It is nice to see our musical scene's history finally getting a little well-deserved press (albeit still somewhat of a back-handed compliment). While we were never the darlings of the local rock critics, the musicians of our era always took pride in their musicianship, and the special relationship with their fans. It definitely was a magical time, the likes of which will never be seen again.

Sincerely,

Johnny O'Neil

Posted by: John N. O'Neil, Ph.D. at March 19, 2008 8:56 PM

Yes, it was truly an amazing time... I remember seeing Paradox, Obsession, Dareforce, at "The Payne Reliever" on a monthly basis, and it was like full blown concerts you'd see at the arenas with pyro, explosions, thick smoke you could never get away with these days. I can remember seeing Paradox at the "Payne Reliever" and they had pyro all over the front of the stage and when it went off, it blew a bunch of the ceiling tiles right off! I think its about time someone recognizes the great scene St. Paul had. Even though it was always under the shadow of the MPLS punk and Prince scene, it was 10 times more entertaining and you could see and hear what real great virtuoso musicians were.

John Eller of "Paradox" was one of the greatest guitarist and vocalist I have ever seen, and inspired myself as a musician and many other people I know to pick up the guitar. Brynn Arens of "Obsession" was legendary as a rock guitar entertainer, there will never be a likes of him again on a local scene.
Long Live the "Payne Reliever, Ryans Corner, Nib's, Studio 94, Music Island, The Libation Station, and others!

Posted by: St Paul 80's music fan at March 20, 2008 10:24 AM

thanks for a great story, jeff.

i couldn't agree more with mr. o'neil that this was a bit of a back-handed compliment. had obsession, dare force, paradox, rocking horse been based out of LA, they would have been gods. but the simple fact that the 'mats, husker du and prince owned this scene, hard rock was a joke. but not to us, the fans.

i can speak for a slew of local rock musicians who looked at brynn arens, brian bart, johnny o'neil, brian lorenson (sp?), dugan mcneill, the dudes in paradox, etc... as nothing less than larger than life rock stars. they were all the real deal.

i'm not sure what the rest of the country had in terms of hard rock bands in the 80s, but i can't imagine anyone had a better scene than mpls/st. paul.

these bands traveled with entire production. lights, sound, road crew, sound and light guys who actually created a full-on, arena style concert in a small club. it wasn't a joke. it wasn't a spoof. it was just as important to us to see dare force at ryan's or obsession at muldoon's as it was to see motley crue open for ozzy.

it truly was magical, as johnny said, and i doubt it will ever happen again. i feel very fortunate to have been a part of it, albeit my band, riff raff hit the scene when it had already made that turn into "hair metal". DOH!

great work, hairball! keep flyin' that flag! how about adding "if the good die young...", "pushin' your luck" and "stranded" to your set list!

thanks, jeff!

Posted by: randy E. at March 20, 2008 2:51 PM

This story was great fun to read and way overdue.
These were all GREAT Twin Cities bands that while they were supported by the fans were sadly over looked by the media.
I always found it kind of ironic that each of these bands Dare Force, Paradox and Obsession (not to mention Cain) did not appear on the cover of City Pages on a regular basis. Besides the fact that they were all contributing to the music scene in their own way they were the bands the bars/clubs were buying advertising for to help keep your weekly afloat!
More articles on hard rock and metal please!!!

Posted by: Bill Lindsey at March 21, 2008 10:32 AM

John Eller rules!

Posted by: ajr at March 21, 2008 2:49 PM

I wanted to thank Jeff again for the story and breakfast. It's always a blast remembering the good old days. I talked to him before press, and realized he had to edit out much of our conversation. I did mention Crow, Cain, Gypsy, Jessie Brady, Strait Up and Chameleon in the interview. These bands were a huge local influence on Dare Force. I also think Hericane Alice, Paradox, Impailer, Disturbed and too many more to mention also need to be remembered for their contribution to the Twin Cities rock / metal history. The agencies were a trip, Marsh, Alpha, GMA, ARM, NTA. There were so many gigs you could make a full time living off music. I've told stories to studio clients and former Musictech students about this "bygone era", and they wish there was still a scene like that.
I would love to thank everyone in the Midwest music scene for many fond memories.

Posted by: Brian Bart at March 21, 2008 5:45 PM

I was there. I lived it. It is in my soul forever. Most of the musicians were really great people, they were fun to be around. Some of them thought that they were better than others but I guess that happens. It was a great time, and in the scripture of Paradox. A pleasant time was guaranteed for all

Posted by: RokGod at March 23, 2008 12:40 PM

I think we need a Dareforce, Paradox, Obsession reunion show!!! How about it guys??? I would pay xtra to see that!!! as I am sure many other people would.

Posted by: Jones'n for music at March 25, 2008 6:01 PM

Thanks for the fun article--
The tribute bands seem to cash in every 20 years--the 70s had Rockin Hollywoods playin 50s--the 90s had Boogie Wonderland playin 70s and in the 2000s (luckily) we can rely on Hairball for an 80s good time. Of all the musical genres it must be stated that the metal fans are probably the most dedicated.

My name is Jeff Loven-- I was lead guitarist/singer in Obsession. I'm probably the only musician left out of all the original 80s bands mentioned in your article that supports my family and makes a living by strapping on a guitar and singing/rocking on stage 4-6 nights a week. Oddly--I'm not with a band--I perform as Minnesota's #1 One Man Band. Don't feel bad---things are going so good I recently turned down an audition with Guns-n-Roses (Yes, it is true.) If you come out to one of my shows you can expect a wide variety of music--but you will also be thoroughly rocked as there will be a few 80s amp-busting assaults along the way ala AC/DC, Vanhalen, G-n-R, Satriani Etc....plus, you never know who might be sitting in!

If you are a MN metal fan-or Obsession fan in particular--I would like to invite you to my webpage www.jeffloven.com. You can view a bunch of Obsession photos by clicking Pictures>Thru The Years>Obsession 1980-1986. We'll also be posting the full length 1982 review of Obsession that appeared in City Pages back in 1982 (not 1992) that was referenced in this current article.

Thanks again for the fun look back!
Jeff Loven
Minnesota's #1 One Man Band

Posted by: Jeff Loven at March 25, 2008 8:56 PM

No way Jeff not unless you get Brynn and the guys together too!

Posted by: St Paul at March 28, 2008 5:43 PM

I think that Karl Kaiser was and still is the best singer to come out of the twin cities music scene. If you ever see him sing it will send chills up your spine. He was originally from Paradox and then he went and joined Warloxx. He was also a member of Trash Manor and Atomik and Badditude. I know that once in awhile he sings with John Eller, and I've seen him sing with Jeff Loven. You really should hear him sing. So good

Posted by: Carol at April 19, 2008 6:49 PM

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