Graffiti artist
Chris Allen (the guy onstage at Slum Village and DJ Premier) has gone mainstream with a giant legal wall owned by Clyde Bellecourt and
a nod from C.J. in today's Star-Tribune. With work gracing the cover of
Industry a few issues back, he's also designing the cover of
Unknown Prophets' forthcoming album. There's not nearly enough documentation of this scene, so get out there with a digital camera and start a website already. Meanwhile, some links at
complicatedfun.com/hiphop: a nice
Google map of Minneapolis graffiti, a
short film at Media 2017 (bottom, left),
Firestorm Minneapolis graffiti site, some local
'90s graffiti ,
Juxtaposition Arts school,
Intermedia Arts gallery,
graffiti pages at DUNation.com, local
graffiti photos by Meg Holle, Minneapolis
graffiti photos at J3s, old photos at the
TC Old-School Hip Hop Page, and the police view at the
Minneapolis graffiti removal page and the
St. Paul anti-graffiti page. Here's
an argument I started at DUNation about the artistic merits of tagging. My point stands: Some old buildings are art, too.
More discussion at DU.