Soulja Boy, Limp Bizkit top our list of five worst songs of the 00s

The process of drawing up this list made me nostalgic for the carefree, go-go 1990s, a time when you couldn't flip innocently through the FM pre-sets in your pimped-out Acura Legend without stumbling upon two or three horrible songs. Remember "Detachable Penis"? Remember "Steal My Sunshine"? Remember how Geggy Tah had that one -- just the one -- song about wanting thank a stranger for allowing the singer to change lanes, when he was driving in his car? Remember Snow, aka the Informer? Shabba Ranks? Fatboy Slim? White Town? I'd ask if you remembered Whale, LFO, or 311, but if you had to live through their respective reigns of terror, chances are you're still trying to forget.

In any event, that was then, and this is now: the end of a decade where flat-out dumb-fun pop songs were in very short supply. Maybe terrorism was the culprit; maybe the economy was to blame. Best to leave the "why" to future cultural historians, and get on with the business of singling out the past decade's least defensible, most insufferable tunes. By-and-large, I avoided easy targets, so the likes of Britney Spears, K-Fed, the Black Eyed Peas, Lady Gaga, Shakira, the Red Hot Chili Peppers, and Lil Jon all get a pass -- this time.

1. Soulja Boy "Crank Dat"

I don't even know where to begin with this one. The largely mush mouthed "rapping"? (Don't give me any "you don't understand, it's Southern rap" claptrap either, okay? Because you know what? Gucci Mane is way easier to grok than Soulja Boy is -- which is saying something.) The fact that the massive popularity of this song helped to catapult the colloquialism "Superman that hoe" into the public lexicon? That "Crank Dat" was part of a wave of rap hits that came shrinkwrapped with gimmicky snap dances? (Don't believe me? Go to Youtube. There are 56,900 results for "Crank Dat" alone.) The insipid chorus? The incessant interior self-branding? The sense that you lost a few hundred brain cells each time you heard it?

2. Daniel Powter "Bad Day"

Did you ever see that series of Snicker commercials where someone would be alone, unwrapping a Snickers bar, and then this friendly square with an acoustic guitar in a cheap suit would appear out of nowhere, and he'd say "Would you mind if I helped you enjoy that Snickers?" Then the Snickers eater would acquiese, and then the interloper would sit down and play this incredibly awkward song about what comprises a Snickers bar, and how satisfying it tastes, and so on, while the eater nodded along. And you, sitting at home, would turn to whoever was sitting with you and scrunch up your face, and say "That was really weird." In case you were living in a cave or boycotting American Idol while Daniel Powter was enjoying his fifteen minutes of fame, "Bad Day" was about a thousand times worse and infinitely less fun, a manipulatively melancholic office-schlub empowerment anthem that should've been repurposed as a Gitmo torture device.

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