Howler at the Triple Rock, 01/14/12
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| Photo by Tony Nelson |
January 14, 2012
Triple Rock Social Club
After setting the U.K. ablaze with both hype and hyperbole in 2011, Howler returned home to Minneapolis to try and do the same thing to the sold-out Triple Rock on Saturday night. While the groundswell of support for the quintet has been slowly building here in the Twin Cities (this small club gig didn't sell-out until the day before the show), the local furor over the band doesn't come remotely close to approaching the excitement and passion shown to them across the pond. And after their brief 35-minute set, I'm not sure if that difference in opinion is going to change anytime soon. For while the performance was certainly a fun one, it was missing a spark or potency which would have made the show truly memorable.
The band were celebrating the release of their debut full-length, America Give Up, and their lightning-fast, 11-song set drew mainly from the new record. After opening with cursory, somewhat tentative versions of "America" and "For All Concern," the band finally caught fire with a dynamic rendition of the rollicking (and hilariously-titled) "Beach Sluts." But the band slowed things down quite a bit with the pensive "Too Much Blood," which further added to the uneven start to the set.
But Howler quickly caught fire with a boisterous version of "You Like White Women, I Like Cigarettes," with frontman Jordan Gatesmith joking afterwards as the band lobbed beers into the swelling crowd, "Apparently PBR is sponsoring the show tonight...unofficially." They wisely kept the momentum going with the hard-charging "This One's Different," rolling from one fleeting, fiery track to the next at breakneck speed. And while the blistering pace of the performance only complimented the youthful, exuberant spirit of the band, the rapid-fire songs tended to blend into one another as the quick set wore on.
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| Photo by Tony Nelson |
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| Photo by Tony Nelson |
Gatesmith teased us a bit by saying, "The only problem with having a 30-minute album is you have a tendency to throw in a Led Zeppelin cover into your set, or the Smiths" as the band played brief snippets of riffs from each legendary group, but sadly didn't try any surprising covers that would have fleshed out their set.
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| Photo by Tony Nelson |
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| Photo by Tony Nelson |
While Howler's performance was certainly an enjoyable one, they didn't forge much of a connection with the audience, failing to give us something that would have turned the show into a significant spectacle instead of a mere musical curiosity. But the band are indeed quite young and still finding their stage legs, and they have loads of raw potential and an easy charm about them. So give Howler some time and they are bound to do something special, I just hope they don't get buried under the relentless hype in the meantime.
Critic's Bias: I saw Howler open for tUnE-yArDs in November, and while I enjoyed both of their performances, I still see the band as a growing work-in-progress.
The Crowd: Other than the families of the band, the place was packed with a cross-section of the Twin Cities music scene both young and old.
Random Notebook Dump: I was surprised to see Howard Hamilton from the Red Pens onstage when I walked in. He was playing with Prissy Clerks (also featuring members of Total Babe and Teenage Strangler), who delivered a spirited opening set.
For More Photos: See our slideshow by Tony Nelson.
Setlist:
America
For All Concern
Beach Sluts
Too Much Blood
You Like White Women, I Like Cigarettes
This One's Different
Back To The Grave
I Told You Once
Pythagorean Fearem
Back Of Your Neck
Black Lagoon (Encore)





































