Molly Gene on her One Whoaman Band, farm life, and split personality

Categories: Q&A
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Molly Gene One Whoaman Band began performing solo five years ago, when she got a foot-drum. Since then, she's burned up roads across the U.S. and more recently Europe bringing her stompin', wailin' and hollerin' "Delta Thrash" songs, raunchy, raw, and real in her gravelly, booze-soaked vocals sung from the gut.

Molly Dyer hails from Warrensburg, Missouri, where she grew up on a farm. Her stage name/persona is Molly Gene (her middle name) has two records out, Folk Blues and Booze, and Hillbilly Love. She releases a live album in the next couple of months featuring her newest footdrum. She performs the Deep Blues Festival at Bayport BBQ on Sunday, after which she tours the U.S. extensively.

Gimme Noise had an opportunity to talk with Molly Dyer by phone while she was packing for her tour, at her parents' home in Warrensburg, Missouri.

How did you get into performing as a one-woman band?

Molly Gene: When I got the foot-drum five years ago, that's when it all started. I was living between here (Missouri) and the Florida Keys. My dad went down there and I went with him, then I went to college there and was in a band. After college there was nothing left for me there so I moved back up here. I was playing guitar, harmonica and the foot-drum and started calling myself a one-whoaman band. Then I discovered there was a whole genre, an underground scene of one-man bands I didn't know about! It was easier for me to book shows and not have to split pay, and be more organized! It was a lot easier to do it by myself.

You grew up on a farm. Please talk about how it inspires your songwriting?

MG: Yes, I've been here my whole life, except for the Florida Keys during college. I was going from one laid back environment to another that were completely opposite (laughs). I feel most connected to the farm. The environment and the atmosphere -- I look out my window and see the cows and the pond... there are the sounds and the smells. That's really inspirational for me, and Pabst-hillbilly-type. (Laughs)

Molly Gene and Molly Dyer (both myself) are two different people. She's kinda of badass -- puts moonshine on her cereal for breakfast. And I'm embroidering while listening to the Carter family on the back porch (giggles). Its fun to bring out the wild and crazy Molly Gene. We're kind of the same and kind of different.

I noticed that when I saw your video diary! And saw your show last year at Patrick's Cabaret. Would you talk more about your stage show? Your music really does sound raw, and raunchy, coming from the gut. It's bad ass!

MG: Yeah! It evolved over time. When I first started, I played acoustic guitar -- a lot of Bob Dylan and a lot of folk music. When I got the foot drum, it made me want to plug in. I started playing a slide guitar and discovered the Delta blues... I like to call it "Delta Thrash!" - I and a friend made that up for a genre. Its like Delta Blues but thrashing, not metal, but kinda!

My first tour was with Bob Log III. He definitely has a stage persona. He's not going to the grocery store with that helmet and the telephone. I feel it's really important to put on a show and entertain people.

I love your song titles, like "Hillbilly Love," "Smells Like Low Tide" "My .22" etc. You have a great sense of humor. I want to know more what you think about when you write your lyrics.

MG: Sometimes I'll hear one of my songs, and be like, "What is that? How did that even happen?!" Its like I'm a different person for this moment in time. I think a lot of it is growing up on a farm and having these different influences. Shooting guns, eating frog legs and stuff...
I wrote a song recently with the 10-foot Polecats called "Turkey Snappin' Mama." My grandparents on my dad's side had a turkey farm, before my time. My grandma was the turkey slaughterer on this farm and was this badass lady. She was this small, sweet lady, but then she'd just go out, take two turkeys at a time and just smack their head on a wall. "Oh yeah! I got doubles!" She was just crazy! (Laughs) How can I not write a song about that?!

And it was fun writing that song with the 10-foot Polecats because that was with people; I miss that whole process being a one-woman band. But at the same time its fun being a one-person band because you can improvise more.

You're touring a LOT I see . . . what do you like best and the least about touring? What do you look most forward to?

MG: I like places where people are appreciative and hospitable. It was pretty amazing when I went to Europe -- the difference between there and the U.S. The thing I don't like here is -- I don't have a booking agent -- I'll approach clubs and they'll be like, "How many people can you bring?" They're really saying, "How much money can I make off of you?" Over there it was like "Thank you for playing. Thank you for working." Because this is my job. "Here's your dinner, here's your hotel and here's your money." I'm like, "What?!" Here, it's a constant struggle. We sleep in our van every night. We go days and days and days without showering. Over there its no problem. You get insurance over there, 75 euros a month. I'm like, 'I'm in the wrong country!' (Laughs)

Who are you looking forward to playing with at the Deep Blues Festival?

MG: I really like William Elliot Whitmore. I was listening to his music before I was a one-person band and he was like famous to me. And Possessed by Paul James . . .I got to play with him in Switzerland. Restavrant. I heard James Legg won't make it . . . I really like him. I love Left Lane Cruiser. I'll love the whole festival!

Your slide guitar -- did you learn from someone or are you self-taught?

MG: As far as Delta Blues, I love Mississippi Fred McDowell and I like Bukka White a lot.

I got into slide guitar because it's the kind of guitar I got from my cousin. I still play it. It's a Univox hollow body with a whammy bar. The action is really high. That's ideal for a slide guitar. This is before I listened to a lot of slide guitar. There would be a Led Zeppelin song I'd try to play on it. I just came across these blues artists and thought, "Wow, these artists are singing real things, and feeling real things and none of it was fake." And that totally impresses me. Its rawww.

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