These United States' Jesse Elliott on touring, playing with Willie Nelson, and covering Bob Dylan

Categories: Gimme Noise
These_United_States_Shervin_Lainez.jpg
Photo by Shervin Lainez
As good-humored as he might come across in the following interview, there's something unmistakably studied and serious in These United States frontman Jesse Elliott. When listening to TUS, it's easy to get the feeling that, like Jack White, whose voice he often evokes, Elliott has spent more than a little bit of time in record stores, dusting off everything from Delta blues to the Rolling Stones' more country-centric material to modern-day Americana like Dawes and Wilco. But, at the same time, comparisons aren't exactly in order when describing TUS, a band that derives far more from classic American songwriting principles and traditions than from any one band or sound.
 
These United States' new, self-titled album is, in probably every way, a new peak for the band, which formed in 2006 and has released five LPs. On it, Elliott's singing sounds more confident than ever, and the musicianship among him (guitar), J. Tim Hnatow (guitar and pedal steel), Justin Craig (guitar and piano), Anna Morsett (bass), and Aaron Latos (drums and percussion) comes across as tightly wound but still free enough to sound far from contrived or meticulous. In Elliott's own endearingly sarcastic words: "I think it's safe to say, conservatively, that our new self-titled album has changed the way people on planet Earth think about their lives, each other, love, death, music, the meaning of it all." Sure, why not.
 
In a recent conversation with Gimme Noise, ahead of TUS' show tonight at 7th St. Entry, Elliott spoke about touring, playing with Willie Nelson, covering Bob Dylan, and more
The band has been touring more or less nonstop since April, and you're scheduled to stay on the road until the middle of September. Getting tired?
 
Oh, yeah, there was April and May before the album's release, wasn't there? I think we're actually out through October. Maybe November when the album comes out in France. No rest for the wicked.
 
These United States is one of those bands that gets labeled as a lot of different things. Your Wikipedia page, for instance, says you play everything from psych-rock to alt-country to pop. What do you refer to your music as?
 
Yeah, we get called a lot of nasty things. We just say rock 'n' roll. That's the nastiest, after all.
 
Similarly, I think are many, many bands that you guys could conceivably be compared to. Who do you see as TUS' antecedents and influences?
 
As with pretty much any band, I'd guess, there's just way too many between the five of us to even start listing. Sometimes I wonder if a band's music actually comes from the negative space left out of the Venn diagram of each individual member's differing and often antagonistic musical influences. Is that a double negative? Times five? My math is rusty.
 
The new album dropped about a month ago. How has the response been so far?
 
I think it's safe to say, conservatively, that our new self-titled album has changed the way people on planet Earth think about their lives, each other, love, death, music, the meaning of it all. That's what our yes-people tell us, at any rate.  
 
These United States features guest appearances from Langhorne Slim's David Moore, Deer Tick's John McCauley, and Phosphorescent's Matthew Houck, among others. What makes you want to collaborate with someone, or, more specifically, what drew you to those particular musicians?
 
Music itself begs to be played with other people. That's where music comes from. And these are the people whose music we most love.
 
You opened for Willie Nelson on June 18 at New Haven, Connecticut's Shubert Theater. Please describe how mind-blowing that was.
 
That was very, very mind-blowing. It kinda came out of nowhere, too, which made it all the sweeter. Willie wears New Balance shoes, he's 79 years old, and he sings a song with Snoop Dogg called "Roll Me Up and Smoke Me When I Die." What could I possibly tell you that those simple facts do not already tell you?
 
Brooklyn, North Carolina, Denver, and D.C.  have all been listed as either the band's origin or its current location. Could you clarify what those locations actually mean to the band currently?
 
Those are the places where members of our band call home, more or less. I guess four of the five of us don't actually pay rent anywhere. But we do know the mountains and the cities and the people we most love to return to when we have a week off the road.
 
You did a great cover of Dylan's "To Ramona" in 2009. I know that was actually recorded for the French compilation Dylan Mania, but did you ever consider putting it on Everything Touches Everything, which was released a couple months after Mania?
 
Bob Dylan put that song on an album [Another Side of Bob Dylan], and it was a very good album, and we had lots of songs of our own that needed a home. So I guess it just comes to how you feel about the issue of orphans.
 
I love and am fascinated by the artwork of the new album, that sort of Where the Wild Things Are look. How did that come together and what was the inspiration behind it?
 
Yeah, Ben Russell of the band Cartwright did that, the cover. And Todd Roeth did the inside map-like artwork. We've loved what these guys do for so, so long, it just made sense to have them along for the ride this time around. We can't stop stumbling across inspiring people all around this continent. It's exhausting. No rest for the orphaned.

These United States at 7th St. Entry tonight.


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