David Byrne & St. Vincent at State Theatre, 9/15/12
|Photos by Steve Cohen|
State Theatre, Minneapolis
Saturday, September 15, 2012
Slideshow: David Byrne & St. Vincent at State Theatre
David Byrne and St. Vincent turn back clock in "Who" video
St. Vincent at First Avenue, 5/12/12
Former Talking Heads motor David Byrne is 60, and St. Vincent's Annie Clark turns 30 this month, but experiencing them is a timeless sort of fun. They came together a couple of years ago to record a brassy, confident album called Love This Giant. This brand of metal (as in, that's what the instruments are made out of) machine music is vibrant, and upon its recent emergence, there was no question that the recording would be fuel for a joint tour of striking and luxurious proportions.
During their opening night, staged in downtown Minneapolis, it was easy to consider two ways to look at a dress rehearsal. The first, and far more flattering one, is to focus on experiencing a performance at its most primal, raw, and unrehearsed -- and seeing it first. The second one, is to accept that witnessing a show first means that it's only going to get more rehearsed and polished. Bouncing between these two perspectives gnawed at this reviewer Saturday evening.
Dressed a bit like a waiter working at a bar called Heaven -- white shoes, black pants, black shirt, white coat, white hair -- Byrne cut an impressive figure as he led 11 other performers through a series of heavily choreographed numbers. "Who," the urgent single from Love This Giant, was an immediate dive into the trumpet, trombone, tuba, french horn, and saxophone barrage that would fill the evening. In addition to the instruments' moving parts, every band member not tied to a drum set moved across the stage in ever-changing patterns -- and most seemed to be hitting their marks. This song also had some of the most satisfying interplay between Byrne and Clark's vocals of the entire evening.
|Photo by Steve Cohen|
|Photo by Steve Cohen|
"Let's not make too many mistakes," was one of a handful of comments made by Byrne as the evening progressed. And it's not that there were moments where the cascading, twirling, circling, swaying, and emoting troupe seemed like they were actually messing up the routine -- but there were plenty that felt like their focus was so extreme that it chipped away from the lighthearted nature of most of the work.