Metric at the State Theatre, 9/11/12

Categories: Last Night
Metric-Stacy_Schwartz_2012.jpg
Photo by Stacy Schwartz

Metric
with Half Moon Run
State Theatre, Minneapolis
September 11, 2012

The State Theatre is a gorgeous venue, but it's not exactly the first place that comes to mind when you think "rock show." But as Metric first took the stage last night, and Emily Haines strutted out, suddenly the entire crowd was on its feet, ready to move as though the show was taking place a few buildings down, at First Ave.

It wasn't a courtesy rise; audience members did not sit back down once in the entirety of the 90-minute set. Metric isn't really the sort of band you sit down for, anyway.

See Also:
Metric let their hearts bleed all over First Avenue


"I'm just as fucked up as they say," sang Emily Haines, opening the night with "Artificial Nocturne." As Haines bounced lightly around the stage, her glistening pale legs extending from some strategically short shorts, her pop-fairy voice masked the mournful nature of the song. Metric's lyrics--especially to the songs off the band's recent fifth album Synthetica -- are like that: modern, eerily self-aware, and inescapably catchy. Pop with a soul, if you will -- though last night, Metric sounded like the farthest thing from bubblegum joy.

Metric_group_Stacy_Schwartz.jpg
Photo by Stacy Schwartz
Metric_Red_Stacy_Schwartz.jpg
Photo by Stacy Schwartz

Haines led the show in a tight progression, in control of the entire evening. Of the 13 songs Metric played before their encore, they sprung for a lot of new material -- which fit perfectly and tightly. "Lost Kitten" punched powerfully through its own melody, and Haines stalked the stage more like a predator than a victim, as the song would lead a listener to believe. As she introduced "Help, I'm Alive" to the eager audience, each line of "beating like a hammer" punctuated by synthed-up suspense, it was very hard to imagine Emily Haines being vulnerable enough for anyone to eat her alive.

Metric progressed quickly into blistering, frenzied rock. Guitarist James Shaw was a positive force of nature; "Sick Muse" was easy and tempo-driven until it erupted into "Dead Disco" and the furious, house-shaking "Stadium Love."

Metric_Keys_Stacy_Schwartz.jpg
Photo by Stacy Schwartz
Metric_Emily_Stacy_Schwartz.jpg
Photo by Stacy Schwartz

It's the mark of a great show that can get a stereotypically tame Midwestern audience moving, and Metric certainly needed no help in winning the love of their audience. It was clear that the band felt very at home at the State, and in Minneapolis in general.

"You end up having family, kind of, in every town," said Haines of touring repeatedly, and she shared some fond memories of Minneapolis. "We were here for Thanksgiving one year, and the folks at First Ave kind of just invited us in, like a bunch of homeless people... It's a great vibe, and we're just really happy to be here."


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MNKartarik
MNKartarik

Nice review. Was a bit skeptical about the size of venue but they had no problem filling the space. Also, I think it was a 2 minute countdown for the encore as opposed to 200 second... but I might be wrong. 

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