also a moment early in Pitchfork's documentary where your management
team is discussing the impact that bounce music's sample-heavy nature
has on its ultimate profitability. Because it's also a genre that seems
more about performance than recorded material, is that something you
personally think about?
there's many ways that we have talked about it. I've been able to grow
and expand what I've been doing over the years. I can't change the past
in what I've already recorded for music, and I wouldn't want to. So the
older songs that I can clear in the way of samples is fine and dandy.
But in the future, I will be doing much more original stuff while still
trying to stay within bounce parameters. That way the music will
actually be mine.
Is making music more exciting now that you're constructing more of it yourself?
Yes, indeed, because I get to see a lot more of my money [laughs]. It's
more fun than ever. I can control it from all aspects, and now I can
hire those who I want to oversee each track. It's nice to have more
authority, and I didn't have as much with the samples.
get the impression that you've been able to establish a pretty
dedicated management team. Many burgeoning artists aren't fortunate
enough to have that initial guidance. How did you cultivate that?
personality drew all these people to me. God put them in my pathway for
a reason, and my personality drew them to me without any money
involved. Just my personality alone got them here. All of these people
wanted to help me grow and help me get to another level. Now everybody's
getting paid, because Freedia's doing biggerand better things. We're just trying to keep moving forward and keeping having everything shoot for the stars.
thing I've always wondered is how you manage to keep your energy up
night after night throughout such a heavy tour schedule. Bounce music
seems like the most exhausting kind of music to perform.
are nights where I feel down sometimes. It gets to be very tiresome
always using that kind of energy. But my energy comes from my fans. No
doubt about it. When I see people and how excited they are that I'm
there and going off in the club, that gives me energy. It flips a switch
inside me and says, "Hey, even if you're tired, you better get your ass
up there and do you you gotta do for your fans." You can drop dead
after the show is over. That's my attitude Each night. Each show. 365
days a year. That's just Freedia. I'm a workaholic.
also played in New York's Museum of Modern Art before. Does your
attitude to performance change when you play a typically calmer space
versus your usual club atmosphere?
like to shock them. I typically tend to weigh out crowds. But even at a
place like MoMA, they want it. And they want me to release it. When I
get that feeling I just have to let loose. Because that's why they
brought me. They want to let loose at this moment. They're tired of
being stuffed up. They're tired of being cute and conservative. They
wanna let their hair down. They want to shake their ass for a moment,
and that's why they brought Freedia.
music really is something that belongs to you and your community in New
Orleans. And I feel like that level of ownership of a genre isn't a
privilege many artists enjoy these days. Is that something you think
I'm so happy that when I
started performing bounce music it was original and that it was
something that stood out from every other artist. When I started to take
this seriously and decided that this was going to become my craft, I
had to get my circle around me where I could stand out from the rest.
That allowed me to make something of New Orleans and something that
would continue to represent my culture and where this music started.
Big Freedia at Turf Club. 21+, $15, 9 PM Saturday, February 2