Atlas Genius at Fine Line, 6/4/13

Categories: Last Night
Atlas_Genius_Athena_Feldshon.jpg
Photo by Athena Feldshon

Atlas Genius
with Haerts and the Postelles
Fine Line Music Cafe
Tuesday, June 4, 2013

In an almost perfect reflection of their songs in general, Atlas Genius' set Tuesday at the sold-out Fine Line was polished and efficient from beginning to end. While it had little to offer in the way of surprises, it more than made up for its predictability with the sheer quality of their laid-back, power-poppy rock. While "Trojans" may be their big hit (and rightly so), they have a quiver full of songs, just as catchy and enjoyable -- any of them worthy of follow-up single status.

Beginning with "Symptoms," the closing track on this year's debut full-length When it Was Now began the night in fine fashion as the crowd settled in and they quickly, wordlessly followed up with "On a Day," the double shot out of the gate indicative of how the rest of the night would unfold.

Atlas_Genius_Athena_Feldshon_1.jpg
Photo by Athena Feldshon

"If So" was next and it highlighted something that was identifiable on record but was much more clear in a live setting: while the songs are nothing short of intoxicating with their razor-sharp hooks and reflective, often winsome lyrics, the quiet ache of sadness present in so many of the tracks is much more pronounced. It lent a depth to the set that isn't attainable listening to the recorded work, regardless of the quality of your headphones. The vibe was changed a bit, from one that toes the line maybe a bit to close to treacle in recorded form to one that made it seem the band has tossed a quantity of diamond dust into the air -- everything fairly sparkled, even during the few pensive, spare moments.

Things slowed down for a few minutes as lead singer/guitarist Keith Jeffery grabbed an acoustic guitar and the rest of the band briefly exited the stage for a compelling rendition of "All These Girls," that found much of the audience -- particularly the females in attendance -- singing along from the outset. A lot of music in this vein is viewed, for better or worse, as relatively disposable, but if nothing else was convincing, the brief minutes that "All These Girls" existed on stage, naked and vulnerable, should have made anyone on the fence about Atlas Genius rethink their stance -- their songs are anything but disposable.

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