CHVRCHES at Fine Line, 6/08/13

Categories: Last Night
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Photo By Anna Gulbrandsen

CHVRCHES
With Still Corners
Fine Line Music Cafe, Minneapolis
June 8, 2013

The hotly tipped U.K. act CHVRCHES have generated a swelling buzz in the U.S. based on just an EP and singles. And at their sold-out Fine Line show on Saturday night, the Glaswegian trio also confidently demonstrated that they can captivate a room even when over half of the material performed has yet to be released.

CHVRCHES' first Minneapolis performance was a triumph, as the group's spirited, hour-long set featured overt nods to Prince, and they delivered twelve of their own synth-pop anthems, getting the festive crowd dancing along to their towering beats while boldly refuting any concerns that the band was all hype and little substance.

See Also:
Slideshow: CHVRCHES at the Fine Line, 6/8/13
CHVRCHES: The Scottish temperament is sometimes the best thing


Opening the night was London's Still Corners, who proved to be the perfect pairing for the headliner. While their 40-minute set took a bit to catch a spark, and their songs didn't hit quite as hard as CHVRCHES, it was filled with textured, nostalgic numbers that easily won over the club. The group, performing as a quartet but led by vocalist Tessa Murray and multi-instrumentalist Greg Hughes, is touring behind their exquisite new record, Strange Pleasures, and a majority of their diaphanous performance drew from that ethereal collection.

While the band was a bit reticent on stage, save for a few friendly words from Murray, their show was augmented by a series of dreamlike images playing on a screen behind them, which added to the relaxed allure of their music. A pulsing version of "Beatcity" got the early portion of the set going, but it was a dynamic, synth-driven rendition of "Berlin Lovers" which really lit a fuse under the performance, as the hypnotic, vibrant track washed elegantly over the crowd. A Beach House-like version of "Fireflies" soared as well, and was quickly followed by an evocative run through of "Midnight Drive," which contained moody echoes of the xx within its simmering arrangement.

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Photo By Anna Gulbrandsen

Murray mentioned how the last time Still Corners were in Minneapolis (in October of '11), they played the 7th Street Entry, and that there was a big, loud rap show going on next door that they had to compete with (the Smoker's Club Tour with Method Man, Curren$y, and Big K.R.I.T.). "So we always associate Minneapolis with that experience -- we'll see what happens this time," Murray said inquisitively as she lead the band through a shimmering take on "Future Age" which proved to be a highlight. The performance ended with an expansive rendition of "The Trip," with the group really expanding on the track's entrancing melody before abruptly bringing the song to a close and leaving the stage with a quick wave.

The stage was darkened and filled with smoke a good 10 minutes before CHVRCHES made their appearance, with a chopped-and-screwed "Dearly Beloved" intro to "Let's Go Crazy" setting the proper festive mood in the club. The band took to the stage as soon as the twisted beats of the track kicked in, they fluidly morphing the prerecorded audio into the churning pulse of their debut single, "Lies," which started the set (as well as CHVRCHES' career) with a shot, with Lauren Mayberry's vocals soaring over the textured beats generated by Iain Cook and Martin Doherty. "Hi, we're a band called Chvrches," Mayberry said a bit sheepishly to the roaring approval of the packed house. "This is our first time in Minneapolis, and we all couldn't really believe that we sold-out the club tonight. Thank you so much for coming."

A roiling version of the as-yet-unreleased "We Sink" kept the strong start going, with the entrancing light show augmenting the ominous mood of the number. Mayberry further endeared herself to the crowd (and perhaps showed her youthful age a bit) by admitting, "I first heard about this place from The Mighty Ducks 1 & 2, and when we got here I thought, 'Shit, I should have rewatched them in case I missed some major plots points that we'd come across.'" But we were gathered here for her musical prowess, not her taste in movies or how she first learned of Minneapolis, and the songs on offer were truly sublime. The dynamic shimmer of "Now is Not the Time" had a wistful electronic elegance to it, while "Lungs" sounded gigantic in the small room, as the track's choppy, emphatic beats really set the place off.

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Photos By Anna Gulbrandsen

"So, this is our first headlining tour of the States," explained Mayberry. "And you're getting us at a good point, where we're well-rehearsed by now, but don't want to go home yet." She went on to tell us that they were going to play a bunch of songs from their forthcoming full-length, which is due out in September. And based on the imaginative electropop of the songs in their set, that record can't come soon enough. After getting playfully sidetracked by trading a few choice quotes and characters from the Mighty Ducks movies with the audience, Mayberry quickly got refocused on the show itself, "This is really boring, let's play some more songs. We put this song on the internet a couple weeks ago, so you might know it." A spellbinding version of "Gun" followed, with the track managing to be both a jubilant release as well as an ominous word of warning to an ex.


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