Femi Kuti: I actually cried when I saw the Fela! musical

Categories: Concert Preview
From an early age, Femi Kuti got a crash course in music and the chaotic adventures that came along with having a politically outspoken and celebrated father. As a 15-year-old, he began performing with Fela Kuti, and absorbed raw energy of Afrobeat music.

Continuing the Afrobeat tradition, Femi has released several stellar recordings including his latest, No Place For My Dream. These dance-heavy anthems explore the hard truth messages of conditions in Nigeria and throughout the world in an inspiring way. Femi will do so in the flesh with his band, Positive Force, at the Cedar Cultural Center on Wednesday.

Gimme Noise was able to get Kuti on the phone from his home in Lagos, Nigeria. Though he sounded a bit haggard from a late-night 51st birthday party, he was able to talk a bit about the continued struggles represented in his music and life on the road.

The new album is coming out this week. Seems just based on the titles it's perhaps a bit of a dark record, do you think?

No not really. I wouldn't say so. Well you could say it's dark, but you know, it's not going to stop me from fighting. If you look into the lyrics, I keep trying to fight and people keep saying, "Look, there will always be corruption, there will always be war, life is like this." And I mean I think life is still about trying to overcome all these obstacles. I think it's more an alarm to make people understand the gravity of what is going on today in life. There are more people that are hungry. The United Nations keep saying there is less suffering, and I don't know where they get their facts from. How can that be when Greece and Europe are collapsing and in the United States, less people are suffering? The governments have never been this bad. There do they get their facts from?

How do you feel the message gets through to different parts of the world? Are people listening for the music and for dancing or are people getting the message?

I think it's both. I think they like the music, they like being told the reality of the times.

Do you stick to the Afrobeat sound on the new record or do you go off incorporating different sounds?

I think the roots of Afrobeat are really deep all through this album. I think it's coming from a different side of me. I been doing this music for a long time. I been getting deeper and deeper into myself, trying to find new ideas and newer sounds. I think I will do this for a couple more years before I can really just relax and listen to all kinds of music. I like all kinds of music from when I was young, like jazz. I wanted my music to be as pure as possible. I think I have arrived at that sound with this album. In the last few months I have had some Nigerian musicians want me to play on their albums and on their singles. So I have been forced to go into the studio to put myself in their music.

Oh cool, who are some of the people you have been recording with?

There is a very popular guy called Wizkid, somebody called Idris and oh, I can't even remember all their names. But I like what the younger generation are doing. There's really a hip hop kind of Afrobeat scene happening.

I've noticed you keep the band pretty tight. I saw Seun Kuti last year and he had so many people in his group, I couldn't imagine there was any money left at the end of the tour.

It's so difficult to tour with such a big band. The taxes and the budget are just so high and expensive to bring so many people on the road. So difficult coming from Africa. It's not like coming from Europe. All the money goes to airline tickets and hotels.

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