Gimme Noise: How did the three of you come together and what sparked the formation of the group?
A collaborative effort that expanded from a single song to a full-blown group, Sifu Hotman is rappers Guante and Dem Atlas over beats by producer Rube. Today, the trio releases a self-titled, three-song suite that captures their collective energies, and recalls some of the great rap teams from the past.
Gimme Noise caught up with the group to hear about the new direction.
Guante: I'm a big proponent of intentionality. When I write songs, I tend to write for a particular project, but with this it was the opposite of that. I've known Rube for a long time, and he was just like, here's some beats. I wrote a couple of songs. I invited [Dem Atlas] to do one of the songs anyways, and then it was like, let's just do all three, a little side project thing.
Dem Atlas: It just felt really nice, that chemistry. The beats represent something I really like about the golden era of hip-hop, that old school boom-bap sort of feel.
Rube: I didn't know what to expect; not everyone can sound good over these beats. "Outnumbered" is not your typical hip-hop groove. Guante always brings the socially conscious lyricism to his projects, but I was surprised just how beautifully he and Dem fit together over my beats. They really locked into the grooves. That fun, high energy/tempo style of hip-hop is really missing from the Minnesota scene.
Did the sound mesh right away?
Dem Atlas: Pretty much. It just seemed very natural almost. At first, working with an artist like Guante, who I really respect dearly, it was kind of intimidating. But that intimidation subsided and what replaced that was just, dude, this is exciting, this is good music that we're creating.
Guante: There's a lot of freedom that comes from just doing three songs. We don't necessarily have to crack out the arc of the album, let's just put three songs together and put it out. I love those type of groups where the energy works in a different sort of way, instead of when you put two rappers who sound sort of similar next to each other. It allows you to see elements of a particular artist that you maybe never noticed before. That's especially important for me, because I tend to get pigeonholed. People notice the content of it, which is great, the poetry of it, the politics of it, but they don't necessarily notice the technique, the rhyme schemes. It's important for me to go off brand a little bit and do something different.
Dem Atlas: It was a cool contrast, man.
Guante: For me, it's about re-conceptualizing the type of projects I want to create moving forward. I may never do another solo Guante project. I want to work with different people. I want to do a project with Heidi Barton Stink in a couple of months. Bring back that group energy. I don't know if you're sick of this comparison because I bet you hear it all the time, but one of the reasons I wanted to work with you because, when I grew up listening to hip-hop, one of my favorite groups was Pharcyde, or Souls of Mischief, Freestyle Fellowship. You have this weird energy that captures a lot of that. I thought it would be a cool contrast with my kind of straight-forward style.
Dem Atlas: I agree. I think that really shows itself in the music. It just feels right. A big reason why I love these beats is it did reference Pharcyde to me. Souls of MIschief, Tribe Called Quest; I'm obsessed with that stuff. It really helped me to write to it. When I first got into hip-hop, that's all I listened to. Their tonality. I liked the way they sounded, like they were in this box and they were just trying to get out of it. How they manipulate their voice, it's like singing. They were like jazz players.