Adam Ant at Mill City Nights, 9/1/13

Categories: Last Night
Photo By Erik Hess

Adam Ant & the Good, the Mad & the Lovely Posse
With Prima Donna
Mill City Nights, Minneapolis
September 1, 2013

Adam Ant, the pirate punk hussar of British pop music, made his grand return to Minneapolis on Sunday night, delighting a roomful of his dedicated fans with a nearly two-hour set filled with spirited hits from his celebrated past as well as plenty of new songs. And while the difference in quality between Adam Ant's classics and his more recent material is occasionally quite vast, he still injected his vibrant, outsized personality into each and every number, proving from the moment he took to the stage at Mill City Nights that he is still one of the most instantly recognizable icons in all of rock music.

See Also: Slideshow: Adam Ant at Mill City Nights, 9/1/13

The four members of Ant's backing band, affectionately called the Good, the Mad & the Lovely Posse (guitarist Tom Edwards, a bassist introduced simply as Joe, and dual drummers, Andy Woodward and Jola), took to the stage to the triumphant sounds of Tchaikovsky's "1812 Overture," before that gave way to a rousing speech from The Charge of the Light Brigade as Ant took to the stage with a dramatic twirl and the show was officially on. The performance started with a simmering new song, "Marrying the Gunner's Daughter," before immediately switching to a much more beloved older number, "Dog Eat Dog," which is the lead-off track to Ant's acclaimed 1980 album, Kings of the Wild Frontier. The crowd got into it straight away, singing along with the song's familiar call-to-arms.

The old B-side, "Beat My Guest," and the Dirk Wears White Sox jam "Kick!" both took on a modern edge, with the band managing to inject their own musical spirit into these classic numbers. Ant picked up a guitar for the first time in the set on a sinister, pulsating run through "Ants Invasion," before shifting back to the politically charged new song, "Hardmentoughblokes." But Ant and his band really set the place off with a rousing version of "Stand and Deliver," with the crowd needing no prompting from Ant to sing along with him on the soaring, anthemic chorus.

Photos By Erik Hess

Ant didn't address the audience for the first time until after two more celebratory singalongs on "Room at the Top" and a jubilant take on "Kings of the Wild Frontier," which got the crowd dancing, lost in the timeless spirit of the song. "Thank you very much. Good evening," Ant exclaimed theatrically, before acknowledged that he wrote "Room at the Top" along with Minneapolis's own Andre Cymone. "This next one is a love song. The only one I've ever written," Ant went on to say. "My girl had just gave me the elbow, as we say. And I thought, once I'd picked my guts up, that I'd write this song for her." Ant took off his distinctive black-rimmed glasses for the only time in the show to deliver an impassioned, lovely take on "Wonderful."

"I'm going to sing another love song, since you like that one so much," Ant said after the cheers died down. "Actually, when I wrote this song many many years ago, they said, 'This isn't a love song. This is a sick song written by a sick bastard.' But since that song came out, books like 50 Shades of Grey have been written, making all of this acceptable. I haven't written a book like that myself, because why write a book about it when you can do it?" A sultry run through of "Whip in My Valise" gave the set a seductive spark, but the show began to sag a bit as a trio of new songs followed, "Vince Taylor," "Stay in the Game," and "Cool Zombie."

But a provocative version of "Strip" got things going again, with Ant flirtatiously taking off his miliary jacket and throwing it to the side of the stage as the alluring lyrics took hold of him. The Friend Or Foe classic "Desperate But Not Serious" fully ignited the later portion of the set, with Ant leading the way on guitar. He dedicated a boisterous take on "Cleopatra" to "the late, great Elizabeth Taylor," before delivering another lively song from his 1979 debut with the Ants, "Never Trust a Man (With Egg on His Face)." The string of classics continued with a hard rocking version of "Zerox" that proved to be one of the most irresistibly catchy songs of the night.

Photos By Erik Hess

After an exultant take on "Vive Le Rock," Ant proclaimed, "It feels like I'm sitting on top of the world. Thanks for coming out tonight. It's good to be in Minneapolis!" And, after introducing the band, Ant went on to say, "Someone asked me once if I ever thought about music while I was away from it. And I told him that the only time I ever really thought about music was when I was eating a Chinese meal. They bring the chopsticks to your table, and you break them in half, and that's when I start thinking about this song." The instantly recognizable beat of "Antmusic" then kicked in triumphantly, and the entire club fully got into the groove, singing along in full voice to one of Ant's most indelible songs.

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