Empire Status: We rap about the 1920s and modern-day Benghazi too
|Photo by Tony Nelson|
"This is the kind of music you can see. Close your eyes and be there, be in the moment that we're in," says Bobby. References to python-skin gun holsters, Al Capone tuxedos, and oxtail soup add ﬂourish to the already dynamic lyrics. "People need to smell it, touch it, taste it, feel it."
Synced with the premiere of the show's fourth season, and built to loosely weave themes from its plots into their own personal narratives, the result is a simultaneously candid and embellished self-titled album. Songs rooted in period details of the 1920s criminal underbelly of Atlantic City also allude to the modern day.
"We talked about the '20s [and] alcohol, [but also] Benghazi; somehow we tied in current world events," says Muja. " We tried to make it as theatrical and cinematic as possible, but still somewhat realistic. But when we was recording, I kept telling him, go far. Twenty-four karat gold guns, you know what I mean? Go far with it."
Produced entirely by Bobby, the beats are as lush as the imagery, sprinkled throughout with samples from the show. Doc McKinney, best known for his work producing for the Weeknd, acted as the album's executive producer and creative consultant. "He mastered it for us, that's his specialty," says Muja, who has maintained ties to the Minneapolis-bred producer since his early work with label Black Corners. "All the ﬁlters and vocals, he helped make our shit sound real sharp."
Both rappers are embroiled in creating solo albums, so they took a more relaxed approach to this project. For how loosely the record came together, there's a strong rapport that makes it feel tightly constructed. "When you have another brilliant mind working with you, you're instantly inspired," says Bobby. "Especially since he's almost twice my age, he has a lot of game and knowledge that I would never have on my own, and you can hear that in the music."
Muja Messiah ﬁrst made noise locally as a member of Raw Villa in the late '90s, while Bobby Raps is just beginning to make his name. Age aside, the duo also hit different stylistic marks: Muja's "B-Boy D-Boy" convergence relates tales of a street hustler with a mellow yet menacing aplomb, while Bobby displays his young crew's hyper-energetic credo with the help of aggressive fast-raps and internal rhymes. After meeting through mutual friends and bonding over the show, the two developed a shared work ethic.