Iron & Wine at First Avenue, 9/18/13

Categories: Last Night
Iron_Wine_Emily_Erotas.jpg
Photo by Emily Erotas
Iron & Wine with Widowspeak
First Avenue, Minneapolis
Wednesday, September 18, 2013


Don't come to an Iron & Wine show expecting low-key, subdued set. Well, you can expect it -- but those expectations will only be met for a small portion of the show. Sam Beam and his epic beard brought along a 12-piece band to the First Avenue Mainroom on Wednesday night, rocking and adding new layers to Sam's already dense music.

With a band that included three backup singers who blended wonderfully with Beam, violinist, violist, cellist, keyboardist, bassist, drummer, two saxophonists/clarinetists, and trumpeter, Iron & Wine could have been mistaken for an orchestra. Starting the show on an upbeat note, Iron & Wine's horn section doo-wopped and grooved through the "The Desert Babbler" from Sam's latest release, Ghost on Ghost. While Iron & Wine's older fans have passed on Beam's more recent releases in favor of the beautiful melancholy that is his solo work, it couldn't be denied that the group onstage was having a great time. The crowd, however, was reluctant to warm up until a few songs in.

Iron & Wine drew from the band's extensive catalog, including pieces from 2007′s The Shepherd's Dog and 2009′s Around the Well. Pulling out saxophone and trumpet solos early, "Carousel" and "Kingdom of the Animals" charmed, but Beam's vocals got lost in such a big sound -- a shame since Sam's lyrics are so important to the songs. Each piece is a mini-story within itself, allowing Beam to live a different life in each song. The chance to allow his fragile voice to shine through came halfway through the set.

As the band made their way off the stage, leaving behind the string trio and keyboardist, Sam enchanted as he sang his cover of the Postal Service's "Such Great Heights." In his hands, the song took on another life -- poignant and delicate -- almost tear-jerking. Most musicians don't often take requests during shows, but Beam obliged, bringing about a playfulness to the show.

With "Boy With a Coin," he said laughingly, "I have played this song for every show for the last fucking seven years. If you eat the same fucking meal for the same seven years, it's time to try something else." Thank goodness no one shouted out the original request "Freebird," but the request for "Upward Over the Mountain" had Sam stumbling twice. His charming laughter laced the lyrics, he stopped the song, saying, "I have no problem embarrassing myself in front of you. I got my foot in shit now; I just gotta stomp it out. When I did that fuckup on that song, I was thinking, 'What if Don Henley did that across the street?'"


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3 comments
partone
partone

What signifies hipster and how do you know if someone lives in the suburbs when you see them at a concert?? 

Scoops
Scoops

I really dont get why people hate the eagles so much. 

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