Chris Cornell at O'Shaughnessy Auditorium, 10/30/13

Categories: Last Night
Photo By Kyle Matteson

Chris Cornell
With Bhi Bhiman
O'Shaughnessy Auditorium, St. Paul
October 30, 2013

Eight months after Soundgarden's electrifying reunion show at the Orpheum Theatre, Chris Cornell returned to the Twin Cities to play a sold-out O'Shaughnessy Auditorium. The raucous bombast of Cornell's back catalog of hits was mostly stripped away for this solo, acoustic Songbook tour stop. Still, the 29-song, over two-and-a-half hour performance took on a delicate new life of its own, with Cornell's howling vocals carrying the tracks in new directions while paying tribute to artists who have inspired him in the past.

Cornell set a festive vibe in St. Catherine's regal theater by rolling onto the stage on a custom-built bike designed for him by a fan. And when a standing ovation greeted him, he warmly admitted that "The night is off to a good start. So, I'm just going to do some songs for you -- that's all that's going to happen." And that proved to be more than enough for the roomful of boisterous, supportive (and occasionally obnoxious) fans who filled the place.

The beginning of the set was a bit rocky, though. He started with some lesser-known selections from his songbook with "Scar on the Sky," "Two Drink Minimum," and "Dandelion," and none found a spark. Cornell did pull off something quite riveting early in the set, dropping the needle on a record and singing along to an instrumental version of "Silence the Voices."

Photo By Kyle Matteson
Cornell explained that singing along to songs on vinyl is what first hooked him on music, and why not take things full circle by incorporating that into his live performance. He also joked that, "I found out that when you're not pressing 3,000 or more LPs at a time, things get a lot more expensive. So, to press that one record, all on its own, was the most expensive fucking record I've ever bought it my life. But it's worth it."

Cornell introduced "Original Fire" by explaining that Seattle is a provincial town, and early on they were inspired by what was happening in Minneapolis -- all of the "indie-underground shit" that was coming out of our scene. A tender, lovely take on "Sunshower" was an early set highlight, as was "Sweet Euphoria," which Chris played to satisfy a request from the crowd, a troubling trend that would continue all night long, as many fans in the auditorium shouted songs out constantly whenever there was a break in the music. But Cornell handled it casually.

After "Fell on Black Days," which found the stage appropriately blacked out in sheer darkness, the show truly caught fire, with "Seasons" quickly flowing into a soaring rendition of "The Day I Tried to Live." Even the somewhat overwrought Audioslave hit "Like a Stone" took on a vibrant new life with its sonic effects are stripped away.

"When I'm Down" proved to be a showstopper, with Cornell once again putting a record down on the turntable to provide an aural accompaniment to his vocals. He explained that the musician Natasha Shneider (from the band Eleven, as well as a former touring member of Queens of the Stone Age) played a gorgeous piano version of that track, and when she died, he decided he would sing along to it as a lasting tribute. Cornell prowled the front of the stage, completely lost in the raw emotions of the song while Shneider's swelling piano strains filled the room.

Photo By Erik Thompson
Cornell was in good spirits all night long, telling humorous stories before nearly every song. He shared that "Can't Change Me," was the last song that he wrote for Euphoria Morning, and how it was a "nice, good-natured way to tell everyone close to me to fuck off." And how, at the time, despite the fact that he was a drunk, he was still really responsible, but that all changed as his life took a darker turn. A rousing call for "Spoonman" was then met with laughs by Chris, who teased, "I was going to play that, but now I feel like I don't have to."

The night's first Temple of the Dog song finally arrived in the form of "Wooden Jesus," a brazen move by Cornell considering he was in St. Kate's, but the version was amazing. That led into Pearl Jam's "Footsteps," which Cornell just played with the Avett Brothers on Jimmy Fallon's show. It didn't appear on the printed setlist (which Cornell changed considerably as the night went on), and proved to be another gorgeous moment in an evening full of them.

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Were you even at the same show I was at?  What an awful review of an amazing show.  In fact, amazing doesn't even begin to describe the night.  Calling his start "rocky" because the songs were "lesser known" and not off the album you listened to in high school is a pretty poor way to start your blog.  And as for the occasionally "obnoxious" fans?  Did you notice how during the performances when there would be a pause, that you could hear a pin drop?  The only hooting and hollering going on was between performances and stories.  And in fact, Chris Cornell asked the audience to SING OUT their requests, and I believe that he genuinely enjoyed hearing people make requests for those songs and the appreciative, rather than obnoxious behavior of the audience - why else would his encore consist of SIX songs?  The "troubling trend" of people yelling out and requesting songs allowed him to interact and engage the audience.  Something you definitely can't get at the Xcel Center with 20,000 other people.  Chris Cornell obviously appreciates his fans as much, if not more than they appreciate him.  That's why he chooses those intimate venues, to connect with us, which is not something you would expect from such a popular and extremely successful artist.  He "strayed from his set list" to play some requests from fans because he is a blessed, giving, and wonderful performer who cares for his fans - and puts on these shows for the people who truly appreciate his limitless talents.

Since you so desperately want to bash something, bash the venue.  St. Catherine's was clearly not prepared, which was made obvious when all alcohol was sold out before the opening act was even done.  

The show was beautiful and magical, and the quality of his voice is so raw and emotional, and I was very touched by the entire 2 1/2 hour performance, and completely captivated - as was everyone else around me.    


Chris said in previous solo shows that phone was his friend Jeff Buckley.  Buckley's mother gave it to chris after his death. 


@word1 Thanks for sharing that--such a cool story, I wish Chris would have shared that with us. I was lucky enough to see Jeff open up for Soundgarden and Neil Young once--it was magical. We lost him far too soon.

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