Fathom Lane: These songs are about not having easy answers
|Photo by Tony Nelson|
Before the album release at Icehouse on Saturday, Michael sits down with Gimme Noise to talk about his many stages of his songwriting and how music from his childhood bled into Fathom Lane.
Many of the songs on Fathom Lane have been around for years, having been kicked around to the point where Michael felt he just needed to make them work. He says, "I want to make records, because that's the part where I have the most fun -- the writing and recording. I have a son now who's two and every minute I'm away from him, I have to be productive."
Ferrier is not new to the music scene, having made a name for himself playing saxophone in his old band, Electropolis. That didn't deter him from eventually playing music that he felt he was always meant to make. The singer is a self-proclaimed late-bloomer, and at this stage in his life, feels like he has finally found his voice with Fathom Lane.
Much of what seeped into the sound came from Michael's childhood. Like a scene out of Eternal Sunshine of the Spotless Mind, Ferrier recalls standing in the kitchen, listening to '70s pop music on the AM/FM radio mounted underneath the cabinet while his mother did the dishes. Michael tried erasing a lot of those pop influences over the years with the Velvet Underground and new wave and jazz, but he admits that part of his life found a way back into his life. He continues, "I moved on from that music, but now, by accident, some of that stuff is coming out. It's interesting."
Wanting to focus more on his vocals, Ferrier made that a priority when recording. He admits, "I've never thought of myself as a great singer, so I try to maintain a delivery and be as simple as possible."
Ashleigh Still, Michael's vocal counterpart in Fathom Lane, along with the rest of the band (Ben Glaros, Shane Akers, Doan Roessler, Pete Henning) also played a bigger role in the shape of the new album. Still's ethereal voice lends another level to the music altogether. Michael shares that without Ashleigh, the project would be entirely different.