CC Club 80th Anniversary, night two, 12/7/13
|Curtiss A and the Sex Rays|
With Sex Rays, Buildings, BNLX, the Mighty Mofos, Gay Witch Abortion, and Bethany Larson and the Bees Knees
CC Club, Minneapolis
Saturday, December 7, 2013
It was hard to tell at first, but that dark spot on Billy Batson's forehead was blood. It was hard to tell, too, just how it got there. Most likely Batson, the singer for Minneapolis punk legends the Mighty Mofos, had accidentally hit himself with his microphone -- although it may as well have been his comb, which he pulled out repeatedly to coif his slicked-back gray hair. Either way, within a few minutes the blood was running down Batson's face in thick, red streams. And he never missed a beat.
On a night that was all about rock 'n' roll as the CC Club hosted a weekend of concerts for the first time in, well, a very long time, this moment may have been the most rock 'n' roll. And it couldn't have been more appropriate that it came from a band that frequented the Uptown bar back in its heyday of the 1980s.
See Also: Slideshow: CC Club 80th Anniversary, night two
It's been a landmark year for the CC Club in a lot of ways, and these two nights of concerts were a perfect way to cap it all off. The place has come a long way in recent months, considering that less than 12 months ago there was some cause to wonder whether the place would even still be around at this point. But the new owners from next door neighbors French Meadow have been good to their word on preserving what has become the last real holdout of a bygone neighborhood. Recently they brought back the beloved jukebox, and now they've rekindled another old tradition: live music.
|The Mighty Mofos|
|The Mighy Mofos' Billy Batson|
So it was appropriate, too, that it was the Mighty Mofos -- a band with roots running all the way back to the '70s -- who really stole the show on Saturday night. Most of the younger customers who made it in the door probably had little idea who these guys were, but they tore through a rip-roaring set of songs that was heavy on covers, bookended by a pair of MC5 songs. There was the bloodied Billy Batson on vocals, of course, and right alongside him his brother Ernie, who calmly set the tempo on lead guitar. Leave it to the veterans to show you how it's done.
The Mofos weren't the only ones to set the volume at 11, though. That was true of just about every band that stepped on stage Saturday night, save for the opening act, Bethany Larson and the Bees Knees. From there, there was plenty of white noise and a little bit of chaos, highlighted by the siren wails of Gay Witch Abortion and the all-out assault of Buildings. Somewhere in the middle of those extremes was the minimalist riffing of BNLX.