Black Diet: We're some kind of bastard children
Black Diet vocalist Jonathan Tolliver claims that he came up with the name during a dark period in his life, as a reference to his fear of death. The term "black diet" refers to the torture and punishment of a prisoner in the form of starvation and water deprivation, ultimately leading to their death. While the name does not necessarily reflect the Minneapolis band's garage/indie/soul vibes, it is an apt demonstration of their spirit of uniqueness.
Gimme Noise caught up with Black Diet as they shot the music video for their new single, "Unbroke," and prepared for their performance at First Avenue's Best New Bands of 2013 this Thursday.
|Garrison Grouse and "Mugsy" Keller at the Black Diet shoot for "Unbroke"|
Black Diet is: Jonathan Tolliver, David Tullis, Garrison Grouse, Margaret "Mugsy" Keller, Sean Schultz, and Mitch Sigurdson
Gimme Noise: How did Black Diet begin?
Tolliver: Essentially I found most of the people on Craigslist. That's a really lame story, but everyone outside of Garrison we found just by posting an ad. The internet, you know?
Grouse: Jonathan found me on Facebook. He asked me if I knew any bass players. He didn't know I played bass, so I was like, as a matter of fact...
Keller: I peruse the musician ads on Craigslist just randomly, all the time, whether I'm looking to do something or not, just 'cause I want to know kind of what's happening out there. So one day I saw this ad, and it just seemed right. And that was that.
Tullis: I walked into Jonathan's apartment and there was a drum set in the living room, and keyboard, and I said, that sounds pretty good. So, I moved in with Jonathan. It took me six months to join the band. We were really drunk one night, and I said, you know Jon, I'll play in your band if you want. I think he just was like, "Oh, right, I never actually thought about that before." So it just sort of happened.
And now you're a band.
Grouse: We have a system. I feel like everyone kind of has their role, and we work together as a band to get stuff done. We all do different things to contribute and work together to create the overall experience.
Schultz: Mugsy makes the whole band work. We would so hate each other without Mugsy.
Mugsy, how does being the sole lady of the band feel?
Keller: I have to say, I sort of muscled myself into this matronly position. I like to take care of everyone, make sure everybody has what they need when we're out on tour and stuff like that, try to keep most things organized. I love it. I've always been that person that hangs out with guys, and is the token girl; it sort of seems natural. We all get along super well. Its like a family, and I'm sure our other significant others in our lives are sort of jealous... I personally spend a lot of time thinking about and working on Black Diet stuff. Like Garrison said, we have our spaces in the band, and we fill them up as best we can. I'm a little nervous about going on tour though, I have to be honest.
Jon describes your shows as a Baptist church service at a punk house. When you started out, did you have that kind of vision?
Schultz: I think it was a more subconscious kind of thing.
Grouse: We bring very high energy. I think when people go to see us, they expect a high energy, fun, soul dance party. They expect a party, and I think that's something that people come back to and look forward to when seeing us.
Tolliver: I went to a lot of church, my father is a pastor, and all that good stuff... so all of that comes together in our sound. I think the idea for our live show is that it's participatory just like a Baptist church -- there should be a call and response, there should be some clapping and moving your body and all that kind of stuff. And the punk aspect of it -- which, we certainly can't claim to be a punk band -- but the idea of it being a rockier version of that, being influenced by the Strokes, is what we were going for.
How have you guys evolved from when you first started to this album that you're finishing up right now?
Tullis: When I joined it was Strokes-y, and the dynamic level wasn't up, and I wanted to take that and stretch it out and make it really sparse. Then I wanted to make it really intense and make it really fucking loud, and kind of give Jon room to sing by himself, give Jon room to work the crowd a little bit... give everybody their space, because everybody seemed to be playing on top of each other a lot -- giving it some breath, letting the songs breathe a little bit, and not worrying so much about what style it fits into... We fight, and we've made up...
Grouse: We've learned. We can work together now as a unit, and we understand how to communicate with each other way quicker than ever before, and that's a huge thing as far as getting stuff done.
Tullis: Yeah, not getting our feelings hurt so easily, accepting that other people have valid criticisms.