Twenty One Pilots at Skyway Theatre, 4/17/14
|Photo by Anna Gulbrandsen|
with NONONO and Hunter Hunted
Skyway Theatre, Minnepolis
Thursday, April 18, 2014
Don't let their name fool you. The Ohio band Twenty One Pilots is really only just two guys, Tyler Joseph and Josh Dun. The two performers are doing things and making music that nobody is really doing right now; they combine genres of music -- dubstep, hip-hop, indie-folk, rock, reggae -- that may look like they don't belong together on paper, but sonically and visually come together to make one hell of a show.
Slideshow: Twenty One Pilots electrify Skyway Theatre
It's as if the pair had ADD and decided to bring that craziness to the stage. Joseph and Dun arrived onstage with ski masks and blue suit jackets. At first, it looked like a Slipknot show, and the only thing that changed was the color of their masks and the intensity of the songs. But by the third song in, Tyler pulled off his mask and revealed a face that looked like it belonged on your kid brother.
|Photos by Anna Gulbrandsen|
Their stage antics didn't deter from the music, though. Some musicians often have at least one piece in their set that have people losing interest or glancing at their phones. The only time people were using their phones was to snap a picture or record what was unfolding. Joseph is the only vocalist in the band, often using live loops from his keyboard or drum pad to fill out the sound, but he carried much of the show. Even when he was merely rhyming over the drums, you weren't thinking that it was only just two guys onstage. They made sure you didn't focused on what was missing.
Not everything was crazy; on "Screen" Joseph proved that the ukelele isn't confined to young girls who want to make cheery, sunny music, but you can certainly rock out on the tiny instrument. Yet the band's biggest hit "House of Gold," does play into the cheery, sunny music category. The piece is tenderly sweet and poignant, an ode to his mother that begins with the uke and builds and swells as the drums fill in. The pull of the song was instant.
As the lights were turned down and drum pads were brought out on stage, the epicness of the Tears for Fears' cover of "Mad World" wasn't known until Joseph and Dun started the haunting first measures. As soon as they did, the crowd went a little nuts. Who knew that you could actually dance to one of the most depressing songs ever written?