New Reb is reggae touching Hawaii and Minneapolis

Categories: Album Release
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New Reb

New Reb| Triple Rock Social Club| Friday, August 15
For Drew Misik, the artist behind New Reb, the choice to pursue a particular path in music was easy. "I was asking myself, if I could make any music that I wanted to make, what would I make?" he recalls. He found himself identifying most with reggae. "I had always listened to a lot of Bob Marley, and identified with his message and what he was saying. I realized that that was the kind of music that I wanted to make: reggae music."

Misik is sitting with Gimme Noise at Muddy Waters, over coffee. He is currently preparing for the Minneapolis release party of his new album, this Friday at the Triple Rock. After enjoying the rest of the year here with his wife and son in Minneapolis, Misik will head with them back to Hawaii, where New Reb also has a loyal fan base and where he spends the other half of his time. "Now we're being played on Hawaiian Radio," Misik says. New Reb's new album features a song with a member of Natural Vibrations, and another with a member of Seedless, both popular bands in Hawaii.

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Blood and Sun: Life is a dangerous thing

Categories: Album Release
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Courtesy of the Artist
Blood and Sun

Our lives are comprised of many different currents, pushing in different directions and eventually weaving together to create the threads that bind our individual experiences together. With his new project Blood and Sun, musician and painter Luke Tromiczak brings this idea to life by creating a collaborative musical endeavor that he is able to bring with himself into all of the spaces he occupies, a product of many contributors and environments that is symbolic of his personal philosophies.

Tomorrow evening, Blood and Sun will celebrate the release of their debut album, White Storms Fall, with a performance at CO Exhibitions accompanying the opening of an exhibition of paintings and sculptures from the Holdfast Collective. The exhibition, Holdfast III: Effigy & Exile, is the third installment of the Minneapolis-based art collective, also led in part by Tromiczak. Gimme Noise met with Tromiczak in the weeks leading up to the show to talk about the new album and to gain some insight into its unique lyrical content.

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Mayda: You want to control things around you, but you can't

Categories: Album Release
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Mayda isn't like any other performer in Minneapolis. You can't categorize her music, or fit her in with any particular scene. This is something that she is both proud of and uncomfortable with. Her new album, Busy Signals, will be celebrated with a release show at the Turf Club this Saturday. She wrote the album during her recent tour through Korea and Europe, and recorded the material immediately upon returning to Minneapolis. The work is a whirlwind -- much like the commotion in her mind, caused by recent life-changing events which served to feed her incessant desire to somehow express these internal thoughts outwardly through sound.

Gimme Noise had the chance to sit down with Mayda to chat about the album and her travels over tea and coffee at Muddy Waters. As the sounds of Fugazi and Sonic Youth drown out the surrounding chatter, she gets real about the woman behind the work.

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Kids Like Us: Life gets weird

Categories: Album Release
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Courtesy of the Artist

Rappers Eli Fhima and Sam Wayne were friends many years before they created Kids Like Us, adding classmate Lizzie Fontaine as their third member and vocalist. In fourth grade, they were the sound technicians for their elementary school play. In eighth grade, Wayne's family moved to Florida so his father, who suffers from MS, could be in more comfortable climate. At the time, the two were interested in punk rock. Then, after discovering Rhymesayers, Fhima's love of hip-hop was born.

"We were chillin' in Florida for a week, and I introduced Sam to the art of freestyle," Fhima says. "He was really dope at it." After leaving Florida to return to Minneapolis, Fhima and Wayne began writing rap verses over the phone. "That was the summer when I didn't go out once. We would just stay up all night on the phone, talking and writing with each other," says Wayne.


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Orchyd: Either we'd start a really cool band, or I'd get tortured to death

Categories: Album Release
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Courtesy of the artist
Orchyd

When bassist Charlie Milkey auditioned for Orchyd, he wasn't entirely sure what he was getting himself into. Percussionist Geoff Carl brought him into a basement. "That was kind of funny," Milkey says. "The first day meeting these guys, I go into their house and their house is kind of dark, and they're like, now we're going to go into the basement. I thought, we're either going to start a really cool band, or I'm going to get tortured to death."

The notion of descending into the dark underbelly of the home of Orchyd's founders, Geoff Carl and his wife, vocalist Shanna Carl, is particularly frightening when considering that the two name "broken things and bad dreams" as their primary influences. As for the invitation though, "Fortunately, it was for a band and not for death," says Milkey. The three were eventually joined by guitarist Tom Zempel, and thus Orchyd was fully realized.

This Saturday at the Kitty Cat Klub, Orchyd will celebrate the release of their full length, Mechanical Angels. Gimme Noise met with the group to talk about the album and delve into the philosophy and process behind their music and unique live performance elements.


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Marijuana Deathsquads: Everyone's got that fucking crazy animal in them

Categories: Album Release
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Photo by Erik Hess

Fuck capturing a moment. Marijuana Deathsquads have stockpiled heavy artillery and are ready to unload on a moment until the chamber's empty. After a couple years of artist residencies, loft parties, and covert studio sessions, the guitar-eschewing Minneapolis electronic experimenters have arrived above ground on their full-length debut, Oh My Sexy Lord.

"Our business game is slowly getting its shit together," says producer/instigator Ryan Olson, who seems most comfortable with a lit cigarette between his nimble fingers. He and four other members of the 'Squads -- drummer Ben Ivascu, auxiliary noise programmer Mark McGee, studio engineer BJ Burton, and vocal manipulator Isaac Gale -- are gathered at Spyhouse Coffee in northeast Minneapolis on a sunny September Friday. Olson adds, "Until now, we haven't really pushed our shit out of the city."

See Also: Marijuana Deathsquads May 2013 Residency at Icehouse


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Martin Devaney: You're always playing to someone

Categories: Album Release
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Photo by Tony Nelson

"I was content to let this be my own personal Basement Tapes," says Martin Devaney when asked about this month's release of his sixth album, House of Rust. "At this point I feel like I'm talking about somebody else's record. Those songs aren't really where I am anymore. It's a different time of my life."

Since the September recording sessions two years ago, Devaney's live sets have turned steadily toward the raucous rock of his early records and away from 2010's rugged and rootsy West End. These abandoned songs were born at the crossroads of these two sides of his personality, and whether he likes it or not, it's the best he's ever made.

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Corpse Reviver: Culture got a kick in the ass from the Anthology of American Folk Music

Categories: Album Release
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Photo by Bryan Aaker

You may have never heard Corpse Reviver, but if you have an interest in traditional or "the old, weird America," there's a good chance you know their songs. Mikkel Beckmen, most often heard performing with Charlie Parr or the Brass Kings, is the group's percussionist. Adam Kiesling sets aside the string bass he plays with Pert Near Sandstone and performs on guitar and banjo. And when not leading her own band, or playing with the Brass Kings or the Brian Just Band, Jillian Rae joins on fiddle. They perform songs from Harry Smith's storied 1952 compilation, Anthology of American Folk Music.

Gimme Noise met with them after a performance at the Turf Club to ask about the Anthology, as enthusiasts know it, and their plans for this side project which has taken on a life of its own.

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Jack Klatt: I wanted a real solo album

Categories: Album Release
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The last time City Pages talked to Jack Klatt, he was preparing to release Mississippi Roll, a sweeping cross-generational collaboration that surveyed the scope of traditional music along the mighty river's 2,300 storied miles. After recording with a cast of Minnesota legends and filling the Cedar Cultural Center for an epic evening, the twenty-something troubadour took on a quieter project, a solo album, and a series of ramblin' tours right out of his roots-rich lyrics.

Gimme Noise met him at the Palmer's patio for a round of rail whiskeys on a windy evening just before the rains came to talk about his adventures and Love Me Lonely, out this weekend with a show at the Celtic Junction.

See Also:
Jack Klatt and the Cat Swingers release collaborative album


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Some Pulp: Expect broken drum heads, bloody noses, and a few tears

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Photo courtesy of the artist
Some Pulp's vintage garage rock sound is perfect for a cassette-only release. The Minneapolis duo's scuzzy guitar pop anthems on their self-titled EP will be a godsend for fans of Jay Reatard's twisted genius. And Graham Barton and Dane Hoppe make it all sound so easy.

Gimme Noise spoke with Graham and Dane before the band's album release on Tuesday to get their take on the benefits and fall-backs on having just two members in their band and why they are only releasing the album on cassette.

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