|Photo by Tony Nelson|
Vieux Farka Touré
Cedar Cultural Center, Minneapolis
Tuesday, July 9, 2013
We were not dancing enough. That appeared to be Vieux Farka Touré's chief concern between songs. If the Malian guitar hero's heavily accented English made it hard for him to explicitly tell us to move more, his amused yet insistent gesticulations unmistakably got the point across.
As constitutionally reserved Midwestern audiences go, the Cedar's are pretty game to experiment with what might happen to their bodies if given over to less familiar music; the Tuesday night crowd did in fact loosen up over time. And in our defense, the nuanced clickety-clack of Touré's calabash player, though infectious, was not designed to move Western feet as insistently as the funk-indebted Afrobeat of Femi Kuti or the uptempo grooves of Amadou and Mariam, to choose two recent shows in the Cedar's "African Summer" series. Vocally and instrumentally structured as a call and response, the music tended toward the sort of hypnotic repetition that invites you to sway rather than get down.More »