Mad Max and Its Mad Musical Aftermath

Categories: Film

Warner Bros.
Tina Turner and Mel Gibson: Together at Last

Today Mad Max: Fury Road, the latest of the Mad Max movies, hits theaters nationwide. While it's been about three decades since the last Mad Max picture, the franchise has remained a cult classic and something of a benchmark for all dystopian post-apocalyptic Australian films ever since.

In all seriousness,  the Mad Max films have been among the most influential of the past 50 years of cinema. The original film stands as a striking example of how to make a powerful, imaginative movie on a modest budget (for decades it held the record for most profitable film of all time), and its influence stretches far beyond getting so much bang from the filmmakers' bucks.

One particularly under-appreciated element of the franchise is how influential the music of Mad Max has been. In an attempt to correct this oversight, we present to you Mad Max and its Musical Aftermath.

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Five Things We Learned From Kurt Cobain: Montage of Heck

Categories: Film, Nostalgia

Photo still from Montage of Heck
Last night, the highly anticipated new documentary Kurt Cobain: Montage of Heck premiered on HBO. The film, directed by Brett Morgan and with Frances Bean Cobain serving as executive producer, blends live concert footage and stylish animation with intimate home movies from Kurt's childhood straight through to his breakout success as the frontman for Nirvana.

While the documentary provides an endearing glimpse of Cobain as a baby as well as a blossoming musician, Montage of Heck isn't intended to add to the hero worship that has been bestowed on Kurt over the past two decades. There are plenty of heartbreaking glimpses of a soul in torment, ravaged by years of drug abuse and crippling depression. It's a brilliant documentary, but also a very painful one to watch, because we all know the ending.

Montage of Heck is filled with new insights into Cobain's personal life as well as the brief but revolutionary career of Nirvana. Here are five things that we took away from the engrossing documentary.

See Also:
Nirvana's In Utero vs. Nevermind: Which is better?

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A Musical Look Back At The Fast & Furious Films

Categories: Film

Chaz Kangas
Jacy Catlin's Vin Diesel/The Rock Shirt Tribute

Today Furious 7, the latest and perhaps last ride in the Fast and Furious franchise as we know it, speeds into theaters. If this truly is the final installment before the series takes a radical post-Paul Walker departure, it marks the end of an era not just for fans of the wonderfully absurd action car films, but a very special chapter in the story of film and music.

Since the first film hit theaters in 2001, the Fast and Furious films might be the last of the film franchises to continue strengthening its relationship with its fans through the medium of the Original Motion Picture Soundtrack. Along with serving as a time capsule for seven different eras of popular music, the soundtracks also made the tie between the rhythm and the racing that much tighter. It is with seven quarter-miles in our rearview mirror that we look back at the past and the music of The Fast and the Furious.

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The We Rock Long Distance Doc Is an Artistic Homecoming for Twin Cities Rappers

Categories: Film
Courtesy of We Rock Long Distance
L-R: M.anifest and his grandfather J. H. Kwabena Nketia

"Listen to my rap. I rap," says 93-year-old J. H. Kwabena Nketia to his grown grandson. The two men are admiring a vast archive of Nketia's academic work, which includes several books and honors. "I'm rapping in Twi [a dialect of the Akan language of Ghana]," says the revered composer and ethnomusicologist of the proto-rap narrative poem Akwansosem Bi. "I wrote this as a student in London, studying Chaucer. And I said, I'll do my African version. The rhythmic elements are there."

As the older man performs a spoken piece dating from 1945, the cadences and flow coming from his mouth are remarkably similar to current hip-hop. His grandson, the formerly Minnesota-based rapper M.anifest, is visibly stunned. Though carrying the torch for an African living legend in his lineage wasn't M.anifest's goal, the traditions in his family history still bear weight on his work -- generations down the line and thousands of miles away.

The scene and concept stems from Justin Schell's new documentary, We Rock Long Distance, a film that follows three well-respected rappers from the Minnesota hip-hop scene -- M.anifest, Maria Isa, and Tou SaiKo Lee -- as they reconnect with their families and homelands and contextualize their modern approach with their respective cultures.

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Soak Up a MST3K-Style Alternate Version of Christmas

Categories: Film
Santa Claus, space traveler and fighter of Satan

Tonight, Mystery Science Theater 3000's Bill Corbett, Michael J. Nelson, and Kevin Murphy will be live-riffing the befuddling 1959 Mexican film Santa Claus in theaters nationwide (including several Twin Cities spots).

Santa's outer-space team and the wizard Merlin will battle Satan on the big screen just in time for the film's 55th anniversary. But it's not the only thing Corbett's leaving under your Christmas tree this holiday season, as his graphic novel Super-Powered Revenge Christmas plunges into stockings and onto store shelves now. More »

Jarvis Cocker and Pulp Go Home in New Documentary Film

Categories: Film
Courtesy Of
Jarvis Cocker, Nick Banks, Candida Doyle, Steve Mackey, Mark Webber in PULP

Pulp: A Film About Life, Death & Supermarkets | St. Anthony Main Theatre | Wednesday, November 19
When I was a kid in upstate New York, I'd hear Petula Clark's "Downtown" on the radio -- a song about the promise of glittering lights, "movie shows," and all the excitement and dazzle adult life had to offer -- and revel in the anywhere-but-hereness of it all. That's not to denigrate where I grew up. Almost all kids, growing up anywhere, ask themselves: What else does the world have to offer?

Long before they became world-famous, the members of the Yorkshire-bred Pulp, led by precocious stringbean-in-pants Jarvis Cocker, must have asked too. And as Florian Habicht's gingery, deeply affectionate documentary Pulp: A Film About Life, Death & Supermarkets shows, even after they found out what the world had to offer -- they were still OK with Sheffield.

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Sound Unseen Reveals 2014 Film Festival Lineup

Categories: Festivals, Film
Heaven Adores You
Elliott Smith on on tour, circa 1998

The festivities for Sound Unseen's 15th annual Film+Music+Art Festival kick off in grand -- if a bit bittersweet -- fashion this year.

Leading the impressive slate of films just announced is the Minnesota premiere of Nickolas Rossi's film, Heaven Adores You. It's an intimate look at both the life and music of Elliott Smith. Rossi and producer Marc Smolowitz will be in attendance at the premiere.

Sound Unseen is set to take place between November 12-16, with films screening at McNally Smith College of Music and the Bedlam Theatre in St. Paul, and the Trylon Microcinema in Minneapolis. The full schedule is below.

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The New David Bowie Documentary Isn't What You Think It Is

Categories: Film
Brian Duffy
David Bowie, album shoot for Aladdin Sane, 1973

The new documentary film David Bowie Is does not tackle the epic career of the legendary rock star. You won't see any new interviews with the 67-year-old performer. There are no insights regarding his sexuality or addictions. No mention of his work with Klaus Nomi.

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Casting Martin Scorsese's New Ramones Movie

Categories: Film
Goodfellas: Ramones get the Scorsese treatment

Recently, word got out that an upcoming Ramones biopic would be helmed by one of America's greatest living filmmakers, Martin Scorsese. The movie would be one of several band-related projects slated for 2016, the 40th anniversary of the bruddas' debut album, Ramones.

Scorsese isn't that odd a choice to direct a film about the groundbreaking punk band. He's a New Yorker who loves music, and directed The Last Waltz and Shine a Light. He also knows what to do with a good story. Like The Wolf of Wall Street or Raging Bull, the tale of the Ramones is a fascinating one, filled with underdogs, victors, losers, users, lovers, betrayers, and a litany of insecure gods.

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Amphetamine Reptile Records Documentary Hitting Theaters

AmRep founder Tom Hazelmyer and director Eric Robel

The local and international footprint of Amphetamine Reptile Records is undeniable. After fostering a progressive, hardcore sound in the '80s and '90s that left hair metal in the dust, the label has delivered one-of-a-kind vinyl pressings and limited-edition releases in the modern era. Through it all, AmRep has boldly stood apart from most conventional record labels under the guidance of founder Tom Hazelmyer.

Now a younger generation of fans will get to witness what all the fuss was about, as a new documentary on Hazelmyer (HAZE XXL) and AmRep, The Color of Noise, is set to hit theaters across the country, including a screening at the Riverview Theater here in Minneapolis.

See also:
Under the influence of Amphetamine Reptile

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