The CC Club brings back its old-school jukebox

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When we put together May's cover feature, "An Oral History of the CC Club," nearly everyone we talked to -- bar owners and bar flies, journalists and rock stars -- had something to say about the bar's legendary jukebox.

Some of their tales were eulogies. About two years ago, the bar's owners ditched their old model in favor of an electronic, internet-equipped TouchTunes version. Now, though, CC Club regulars have cause for a toast: At the end of August, the bar's new managers decided to bring a classic juke back.

See Also: An oral history of the CC Club jukebox

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Nirvana's In Utero vs. Nevermind: Which is better?

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It's been 20 years since Nirvana released their final studio album, In Utero. Recorded at Pachyderm Studio in Cannon Falls, Minnesota, the release is getting the deluxe treatment with a 70-song reissue, including a remastering of the original album tracks, B-sides, demos, and remixes of "Heart-Shaped Box," among others, on September 24.

Two years ago, Nevermind received a similar second look. But clearly one of these albums has stood the test of time better, when the 12 tracks of each are pitted against each other. Oh, I know, I know. "But what about Bleach?" "What about Unplugged?" No. These are the iconic recordings. It's Butch Vig vs. Steve Albini. A swimming baby against a winged study in female anatomy.

The overall outcome is surprising, especially given my vocalizations of both favor and displeasure at parts of both of these albums over the years since their respective releases. There are no two albums I have thought about or picked apart more -- although Licensed to Ill is a very close third -- in my lifetime. Picking them apart methodically was cathartic in a way I have trouble putting into words. Let the territorial pissings begin.

See Also:
Nirvana's In Utero studio site in Cannon Falls overhauled
Matt Mueller, former Pachyderm Studio owner, dies in car accident


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Top 10 CC Club stories submitted by readers

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With Olivia Lavecchia

In honor of last week's cover story, an oral history of the CC Club, we asked readers to submit their own stories from the landmark south Minneapolis bar. You did not disappoint. We ended up with a couple dozen tales of booze-fueled shenanigans, ranging from dates gone awry to bar fights and projectile vomiting. Here are the 10 best (in no particular order):

SEE ALSO:
Cover: An oral history of the CC Club
Extra: An oral history of the CC Club jukebox


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An oral history of the CC Club jukebox

Categories: History, Nostalgia

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The bar back in the 1950s, when it was still the CC Tap and offered live music and dancing.
With Andy Mannix

When David Prass bought the CC Tap in 1974, it was a 3.2 beer joint that had live music and a stage. Prass re-named the bar the CC Club, and transferred the liquor license over from his father's old bar. Along with the booze came new restrictions on the kind of entertainment the CC could offer, including no more bands. But the bar could still have a jukebox.

Over the next decade-plus, as the CC Club became the center of Minneapolis's rock scene, its juke became legendary. The employees at the record store across the street would walk over with new records, and the bands who hung out there, including the Replacements and Soul Asylum, would drop off their singles to be added into the rotation. The juke became symbolic: If it was still playing, the bar was still swinging (several stories begin with some variation on, "It was like 1 o'clock, the jukebox hadn't been turned off yet..."). And if a local band's CD showed up in the juke, it was a sign they had made it.

About two years ago, the CC traded its carefully curated old jukebox for a digital one that can play thousands of songs. The greater catalog has meant increased revenue for the bar's owners, but also the feeling that, as Soul Asylum's Dave Pirner puts it, "That era is gone."


See Also:
- COVER: Here Comes a Regular: An Oral History of the CC Club
- Slideshow: Behind the scenes: The CC Club, an oral history
- Best Jukebox 1998 and 1999


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Why Public Enemy got into the Rock and Roll Hall of Fame and N.W.A. didn't

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Photo by Piero F. Giunti
As hip hop grows ever longer in the tooth, the overall picture of what it meant in its infancy -- and still means -- becomes more clear. Some of it, like the rock, punk, funk and country before it, managed to transcend genre and enter into the cultural zeitgeist of America. The voting for the 2013 Rock and Roll Hall of Fame inductees was announced yesterday and on the ballot were two pioneering rap groups who managed to do those things, both of whom still carry weight today: N.W.A. and Public Enemy.

Given the voter makeup (the chosen panel is shrouded in secrecy, but it's not a stretch to say it's made up of mostly old guard musicians and record execs) only one -- Public Enemy -- will be inducted come next April, but when the dust has settled afterward and everyone finally stops the second-guessing, it should be clear the right choice was made.

See Also:
Ice Cube's good days begin with Peace Coffee from Minneapolis
Public Enemy at First Avenue, 12/6/12
Chuck D: Yeah, I voted in the 2012 election

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Tay Zonday's "Chocolate Rain" summer was five years ago

Categories: Nostalgia
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Facebook.com

See Also:
Carly Rae Jepsen's "Call Me Maybe" can't escape Tay Zonday
Rain Man

Minnesota's been home to many artists who've exploded from our local scenes and captivated a nation, pioneering new methods of expression along the way. One such supernova, Tay Zonday, has made a career of posting original videos on YouTube through the continued success of his 2007 single "Chocolate Rain." One of the biggest YouTube videos of all time, it set off a phenomenon that crossed-over into mainstream television and lead to covers from some of the biggest names in music. Five years later, we look back at the Summer of Tay.

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Has Radiohead been dissected to death yet? OK Computer is 15

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OK Computer is even older than Willow Smith.

Fifteen years ago on Saturday, Radiohead released a follow-up to The Bends -- which two years earlier had essentially cemented them as the new leaders of Brit Pop. Called OK Computer, the album almost single-handedly destroyed the Brit styling as we knew it. (The Spice Girls helped too.) The Bends was a leap forward from their 1992 debut, Pablo Honey, which successfully fused Brit Pop and grunge at times, and was at turns outright boring. But there was a marathon's-worth of steps between The Bends and OK Computer.  Does all of this rhetoric sound familiar?

Even if you have -- however improbably -- never listened to even one note of their music, you know Radiohead exists. Even if you despise them, their influence over the past nearly two decades is undeniable. But that question remains: Have they been talked about, picked apart, viewed under a microscope so frequently that it's hardly worth doing any longer? If you're still reading this, the answer is likely "no."


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Lady Heat Hot Soul Party trading cards -- debuts at Icehouse tonight

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Photo by Erin Smith; MyTradingCards.com
Related:
Icehouse opens on Eat Street (PHOTOS)
Slideshow: Icehouse Grand Opening

What's more retro than baseball cards? We'd say the hot, buttered soul of the '60s and '70s would certainly do the trick. A trio of familiar Twin Cities lasses launch a new Tuesday night dance series this week at the delightful new Eat Street restaurant/venue Icehouse, and the Lady Heat Hot Soul Party is fixing to be an authentic blend of dance floor enhancers that scream out for platform shoes and patterns as loud as the bass.

To celebrate this new venture, Gimme Noise has created trading cards for each of our celeb DJs. After the jump, collect all three!

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Top 10 best grunge songs

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Photo by Sam Holden
Grunge survivor Mark Lanegan.

With Saint Kurt gone for 18 years now, it's important to remember grunge wasn't just Nirvana. It was a movement, and though each year it seems a little bit sillier than it did the last, it was important. Most of the bands (and sadly many of the people themselves) didn't stand the test of time, some did and many of those songs are still as enjoyable to listen to now as they were then -- maybe even moreso now that they're a bit easier to hear above the din of down-tuned, sludge-filled rock that permeated everything for a few years in there.

Mark Lanegan comes to the Cedar tonight as one of the few still-vital survivors from the grunge era, operating at a high creative level and winning new fans that don't view him through a lens of diffused, detached irony, as often happens when a genre is "rediscovered." In honor of Lanegan's return -- and it should be noted that his old band, Screaming Trees, made this list and is still very much listenable -- here are ten grunge-era songs that are still just as good now as they were then.

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Bobby Vee: I have Alzheimer's Disease

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BobbyVee.com
Pop heartthrob Bobby Vee has announced via his personal blog that he has been diagnosed with the early stages of Alzheimer's Disease. The 69-year-old, born Robert Thomas Velline, has known about his condition for about a year, but just recently made the news public.

"As my buddy Fabian says, getting old is not for the meek," writes the North Dakota native and long-time Minnesota resident, whose hits include "Devil or Angel," and "Rubber Ball." "I think he may be right. A little over a year ago I was diagnosed with the mild stages of Alzheimer's disease... Since this time I have chosen to remain private and to focus on what is most important to me: my family and my music."

The music portion comes in the form of an upcoming record from Bobby Vee and the Vees titled The Adobe Sessions, which was created in his Tucson garage. Hear a song from the album featuring snapshots of his family on a recent road trip, and read his message to fans below.

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