|Artwork by Chris Strouth|
Makes No Sense At All captures the visions, ramblings, and memories
of Chris Strouth, a Twin Cities-bred master of music, film, and
The Catholic Church figured out something during the Middle Ages: If you build a church to look like a castle, the serfs will feel safe in its massive shadows. So churches moved from modest affairs to great sprialing towers so that the people would feel as comforted within the structure as they did with the royal overseers.
We hang out in shadows today still, but they tend to be more personal. Now, it's the shadow of the Longhorn Bar, of Hüsker Dü, and of the Replacements -- really, of the the generation that came before. We stay close enough to these artifacts to duck in if we're ever attacked by a new generation filled with ambivalence for our legacy.
What makes the Replacements difficult for me is that in the '90s I worked for the label that launched them: Twin/Tone, or as it was known, the TRG (Twin/Tone Records Group). I was there during the non-famous years: post-Suburbs, post-Soul Asylum, post-Babes in Toyland, and of course post-Replacements.More »