Summer Reruns Early...Go see Drag the River
Author's Note: This first appeared in this column on July 26th, 2005. Drag the River will be appearing at the Triple Rock Social Club, tonight, Wednesday, May 10th, 2006.
"Well," I said. "All this white stuff on my sleeve is LSD." He said nothing: Merely grabbed my arm and began sucking on it. A very gross tableau. I wondered what would happen if some Kingston Trio/young stockbroker type might wander in and catch us in the act. Fuck him, I thought. With a bit of luck, it'll ruin his life--forever thinking that just behind some narrow door in all his favorite bars, men in red Pendleton shirts are getting incredible kicks from things he'll never know. Would he dare to suck a sleeve? Probably not. Play it safe. Pretend you never saw it...
--From Fear and Loathing in Las Vegas, by Hunter S. Thompson
Gregg Swedberg went to bed Sunday night, comfortable in the knowledge that his music director is too stupid to play, or even be aware of the band Drag The River. Which is the way things go in Mainstream Country Radio. The point I hammer home, ad nauseam, in this space is that Country music is many things to many people, and, comes from many strange and varied locales. When you work at a Mainstream Country Radio station, you stick your head into the sand, all the way up to your asshole, and buy the line that nothing is worth throwing on the radio unless it comes out of Nashville. Not only is Drag the River better as a band and a concept than anything coming out of Nashville right now, I'm sure they would overwhelm all those "Music City" acts with brute force, if not by smell. They drink before the show, during the show, and after the show; and like Dr. Johnny Fever, it just seems to make them stronger.
Chris Riemenschneider went to bed Sunday night, comfortable in the knowledge that Jon Bream had done a thorough cataloging of the lyrics of the last Mariah Carey album, but had never stopped to consider the 8 year odyssey of boozey road songs of regret and redemption that Chad Price and Jon Snodgrass seem to be able to churn out at will. There was a rough crowd at the Triple Rock Cafe Sunday night, and the two fisted out-state boys were shouting the words back at the band with bottles raised in the air, jumping up on-stage at roughly 2 minutes to 2, to slog through "Modern Drunkard" in perfect inebriated harmony, with guitar and pedal steel. Normally, a crowd with Asian chicks sporting tattoos in the shape of Texas, colored in with the pattern of the state flag, is Riemenschneider's gig. But, he's had enough of punk bands going country, so it's no wonder he misses the gems in the rock pile.
Ed Benson and Buddy Canon went to bed Sunday night, too fucking paranoid and stupid to give any thought whatsoever to anything but Big & Rich, and whether Faith Hill's bullshit attempt to go straight and play it twangy was going to bring the money rolling back in, now that Garth has retired to full time Dad-dom. While they spend every waking hour trying to squeeze any little bit of creativity in the genre through large product grinders with fine mesh dies, until there's nothing left but shapeless meaningless pulp that looks like the same shapeless meaningless shit they churned out last year, Drag the River charges around the country playing small clubs to rabid fans, most of whom are tangential travellers to the twang, having grown up worshipping at the altar of ALL as they charged their skateboards down the railings of the local public library. This tap into the vein of the demographic is organic and real, and their metamorphosis into Drag the River was a natural process that breeds lifelong loyalty, or repeat business...Ed.
Fuck them, I think. With a bit of luck, it'll ruin their lives--forever thinking that just behind some narrow door in all their favorite bars, men in skateboard shirts and Asian chicks with Texas tattoos are getting incredible kicks from things they'll never know.



