Monthly Archive
Send Comments
and Tips to:
Peter S. Scholtes
Link library
A.V. ClubThe rise and fall of a chubby sex-cult leader.
Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.
Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.
« Previous Post | Main | Next Post »
Even folks who understand that Duluth has a serious underground music scene might not know the city is also home to some excellent hip hip (like Crew Jones and Ray the Wolf) and pockets of the intense love required to maintain it.
It's also home to a couple colleges filled with (mostly) white suburban kids from the Twin Cities who geek on Rhymesayers--especially Atmosphere, P.O.S., and Brother Ali--as if the label represents them. They're the same kids Brother Ali seems to be talking about in "Daylight," from his recently released The Undisputed Truth: "I don't want the white folks that praise me to think they can claim me/'Cause you didn't make me/You don't appreciate what I know to be great, yet you relate to me/And that frustrates me and what can I say/'Cause I know that I benefit from something I hate/But make no mistake our connection ain't fake."
And they're the same ones who stood on line along a block of East Superior Street for a couple-three hours on Tuesday night, despite a relentlessly numbing wind chill, to see Ali begin his Undisputed Truth tour at Pizza Luce, on the album's official release date.
As he always does, Ali showed love to the folks who were showing it to him. In fact, there was also a fair amount of reciprocated love between the crowd and DJ BK-One, host Toki Wright (who rapped a couple very tight songs of his own), and Psalm One. (A dude from Queens named Trama opened the night, but I didn't get to see the crowd's reaction to him or vice-versa, because I was out on the sidewalk learning why Chuck Taylors aren't good cold-weather footwear.)
"All right," Wright said at one point during BK-One's set after Trama, and before Psalm One. "Duluth is still the shit." The crowd of three or four hundred roared. "Duluth still loves hip hop." More roaring.
When Psalm One said she'd never been to Duluth before, she was warmly welcomed, and anyone who didn't know she was a supporting act would have been justified in thinking she was the headliner, based on her energy and the crowd's. Even during her last few songs, there was no sense that she was being merely tolerated. No one was impatient. She was being loved, and she deserved it, because her tight flow and high energy did exactly what they were supposed to do: hype the headliner.
Ali went on around midnight and commanded the room with a perfectly paced set of songs from Shadows on the Sun (2003), The Champion EP (2004), and Truth.
The first time I saw Ali in Duluth was a week or so before Shadows was released. He opened for Slug, being backed by the Heiruspecs band, at UMD's Kirby Ballroom. Even during perfect sing-along songs like "Forest Whitiker," he almost had to give his audience lessons in hip-hop-show crowd participation etiquette. They were there to see Slug, and few things are more difficult than trying to impress or engage children of the entitlement generation with anything they don't already think is cool.
A little more than a year ago, Ali packed Pizza Luce, but didn't sell it out, and the crowd was a more willing and sophisticated.
Tuesday, it was obvious that he had grown in prominence, and that his audience had figured out how to behave properly when someone like Ali is on stage. On command, all hands were thrown in the air and waved as if their owners didn't care, and everybody, anybody, screamed. Loudly. Frequently. We were all in a pizza restaurant in downtown Duluth--families with little kids had been eating there just a few hours earlier--but from the back of the room, with all those arms waving side to side, BK-One's bass resonating in our collective chest, and Ali working hard enough to have taken off his jacket before the first song, sweated through his t-shirt by the second, and needed to towel his shaved head every few minutes after that, it felt like a gritty basement, a grimy underground club, or any other hip hop womb.
Many of the kids packed up front and standing on counters and ledges rapped along with every lyric Ali spit--even the stuff on the record released that day; they'd either done some quick studying, spent many hours at Ali's MySpace page, or downloaded the whole Truth, which was leaked to the Web by some jackass member of the music media the day after promotional copies went out to elite journalists.
Live music thrives in Duluth, but like anywhere else, there's a concert every few years that's superior enough to seem surreal. Wilco did that every-few-years thing last summer at the Duluth Entertainment and Convention Center auditorium; Al Sparhawk always has the potential to do it with one of his bands; Ali did it Tuesday night. -- Chris Godsey
Read more about Brother Ali in City Pages and below.
Posted by Peter S. Scholtes at April 13, 2007 3:59 PM
« He Ain't Heavy, He's My Brother | Main | Larry Graham on the Sly Stone reissues »
This is another boo boo by Pete Scholtes, though I doubt either one of my comments will be posted. Just because we are Brother Ali fans DOESN'T me we are the people he was talking about in Daylight! I listen to more "black" music than otherwise. Jimi Hendrix is some of my favorite music. The point of Daylight was Ali addressing the fact that there are some racist, perhaps closet racist, white people who support his music. And that upsets him. I wasn't one of the people standing in line in Duluth for the Ali show but I would be insulted if I were since Pete Scholtes by saying "They're the same kids Brother Ali seems to be talking about in "Daylight,"" is saying that any of the white people in line are racist. City Pages needs a proofreader who actually understands underground hip hop so these mistakes aren't released to print.
Posted by: you know me at April 14, 2007 5:36 AM
I'd take your point about mistakes more seriously if you'd noticed that the author's name is Chris Godsey, not Pete Scholtes; it's in the headline and at the end of the piece.
You're also mistaken about the review appearing in City Pages in print; it's a web exclusive for my little blog, pretty much unedited. So take a deep breath and calm down. If the author doth project too much, that's a fair point. Try making it with a modicum of humility.
You're also mad that I said Ali "might" get a ride in a limo in a year--kind of a conceit, but also qualified by a big fat "might." You say I don't "understand underground hip hop." Forget that the IRM Crew showed up at First Avenue in a limo in '88 when they could barely afford it; just never say never, kid.
I've been a fan of underground music since probably before you were born (first punk show: '83; first rap show: '86), so the ethos is ingrained. If someone said of me "maybe in a year he'll arrive at work in a limo," I'd take it for what it probably is: a joke. Or maybe something fun a person would do if he had the cash. (All of this simply a way of saying: This guy might be much more popular soon.) Yes, they have jokes and fun in the underground, too.
Posted by: Pete Scholtes at April 15, 2007 5:02 PM
you know me:
At least some of those kids who were in line for the Brother Ali show at Pizza Luce in Duluth are exactly who he seems to be talking about in "Daylight."
They were all white. It doesn't take a genius to figure out that a few of them--maybe even most of them--feel legitimate, powerful affection for and connection with Ali, but probably don't understand the culture (and it's not underground hip hop culture) that shaped who he is and how he sees the world.
They're not bad or stupid people. They're probably well-meaning and sincere. But like his lyrics seem to say, there are aspects of who he is, and how he got to be who he is, that many white fans might not have the knowledge or life experience--or desire--to understand.
Also: I'm not a genius for pointing this out, but listening to music made by black people doesn't do a damn thing to make you any less racist than anyone else.
Posted by: Chris Godsey at April 26, 2007 7:48 AM
Good points Chris, being White, Muslim, Divorced, and raised in the inner city Brother Ali's words resonate strong with me...
Posted by: Rasheed Moore at June 15, 2007 1:41 PM

